Art Philosophy: Why do humans make art? — Transcript
Full transcript
- 0:00If humans don't need art anymore, why
- 0:02are we still doing it? Hi, I'm Amy and I
- 0:05have no business talking about
- 0:06philosophy, but I am here to talk about
- 0:09it with you. I think right now we are in
- 0:11a time in our lives where we need a
- 0:13little more intellectualism. Um, because
- 0:16there is a lot going on in the world
- 0:18that is hard to discuss and tolerate and
- 0:22find words for. I'm feeling strongly
- 0:24that my community may be found on the
- 0:26internet. So, let's talk about art
- 0:28philosophy. I had a beloved professor
- 0:30and he used to say that in his time this
- 0:33all started with a glass of beer.
- 0:36Meaning that good conversation starts
- 0:38with friends. Let's pretend that we're
- 0:42at a pub together and have a
- 0:44conversation on why humans make art. If
- 0:48you asked anybody today why they think
- 0:51that humans make art, they would
- 0:54probably say, "Well, it's because we
- 0:56need to express ourselves. and we just
- 0:58have this innate feeling. But I don't
- 1:01really think that's just it. I honestly
- 1:04don't think that people in pre
- 1:07prehistoric times understood the idea of
- 1:10selfidentity enough to want to express
- 1:13that.
- 1:15It's easy to look back with a modern
- 1:17lens and think
- 1:19this is probably why they did it. But I
- 1:21think in a lot of cases we're wrong.
- 1:24I think that's why a lot of art gets
- 1:26misinterpreted because when we look at
- 1:30something, we can only see with our own
- 1:33eyes. And so to understand the
- 1:36importance of art is to know the time
- 1:38period. So I'm not going to try to guess
- 1:40at what prehistoric man was thinking
- 1:42when they put their hand upon a wall.
- 1:45But I can tell you that I am sure that
- 1:48even though the media is not the same,
- 1:51that is still what we're doing. Well,
- 1:54before that, there was verbal
- 1:55communication. Knowing that someone out
- 1:58there painted some antelope or painted
- 2:02some lion to warn you from dying, they
- 2:05were cognizant enough
- 2:08that we understood that there might be
- 2:10others like us
- 2:12and they might appreciate the heads up.
- 2:15Seems kind of silly to say it that way,
- 2:16but it probably is that simple. Having
- 2:20icons is incredibly helpful. We know
- 2:23this even in today's society. If you go
- 2:26to a country that you don't speak the
- 2:27language, you can probably still find
- 2:29your way around the airport because of
- 2:31the symbols of a plane or the bathroom
- 2:35symbol is pretty much the same in every
- 2:37country. We use symbolism to help us
- 2:40with directions. And that is as old as
- 2:43we can possibly go back. So, let's start
- 2:46with the survivor argument. People
- 2:49created art to warn people of dangers.
- 2:53People created art to tell them that
- 2:55there was game to be found, to make sure
- 2:57that they could be fed. Could have been
- 2:59anything. To chalk art up to only
- 3:04utilitarian need as it started out, I
- 3:07think would be a fallacy. Art wasn't
- 3:10just utilitarian. It was also
- 3:12ornamental. And there's a couple of
- 3:14reasons for that. We know that
- 3:16archaeologists have found decorated
- 3:19knives and other weapons. More
- 3:22importantly, we know that they found
- 3:23rudimentary jewelry like shell
- 3:25necklaces, bracelets, adorned clothing.
- 3:28Making this assumption based on clothing
- 3:32of all things. If we think about
- 3:33Scottish clans and them having
- 3:35individual tartans to signify a specific
- 3:39family from a really young age, children
- 3:41in parts of Peru learn how to weave
- 3:45these complicated patterns. They start
- 3:46with cords and belts are just memorized.
- 3:50But each pattern is unique to each area
- 3:53and those are passed down and they
- 3:55signify where you came from and not just
- 3:58your family name but like where on the
- 4:00mountain did you live and where did your
- 4:02father's family come from and where did
- 4:03your mother hail from. Textiles can
- 4:06carry a extreme amount of information
- 4:09and the way that people identified
- 4:12whether that person might be safe
- 4:14because they're from their own family or
- 4:16that person might not be safe because
- 4:18they don't recognize the textiles.
- 4:20That's incredibly powerful and we can
- 4:24see that all throughout history. If you
- 4:26look at the way armor is made, the
- 4:30different hairstyles that we have, the
- 4:33fact that we can sit here in modern day
- 4:35and look at a vase, whether that vase
- 4:38came from ancient Greece or from China
- 4:44and the specific time period and which
- 4:48dynasty in China it came from. There's
- 4:50also marks that we put on our skin. We
- 4:54tattoo ourselves in symbolism that only
- 4:57means something to us. But sometimes it
- 5:00is a greater discussion of culture and
- 5:03family. And tattoos in themselves are a
- 5:07way to signal to other people. Tattoos
- 5:09have been used in many different ways
- 5:13over eons to say, "Hey, I belong to this
- 5:16group." And it's also to like beautify
- 5:18the body. Body modification has been
- 5:21around for centuries, millennia. We've
- 5:23been doing that forever because how do
- 5:26you make your body different and
- 5:30beautiful and what does it signal to
- 5:33other people? There's family crests
- 5:36and emblems and flags. They're all
- 5:39visual ways of saying this is who we
- 5:41are.
- 5:43We want you to know and you we want us
- 5:46to not be forgotten.
- 5:48It's pretty incredible because it's not
- 5:50just me and it's probably not just you.
- 5:54It's a lot of the world that can look at
- 5:56a pattern and know where it came from.
- 5:58And those patterns have exist for as
- 6:01long as we have existed. It's a pretty
- 6:03powerful thing. My first topic ever in
- 6:05art history, the Venus of Willindorf. So
- 6:08if you're not familiar with what the
- 6:10Venus of Willindorf is, it was a
- 6:12prehistoric sculpture that was found, I
- 6:15think, around Austria. And when they
- 6:17carbon dated it, it was somewhere
- 6:20between 25 and 30,000 years old. We
- 6:23presume is something to do with
- 6:25ceremonial fertility, fertility charm,
- 6:28something like that. They also had the
- 6:30ability to paint it. It was made out of
- 6:32a limestone that doesn't exist anywhere
- 6:34near Austria. They sourced the materials
- 6:37from a place that wouldn't have been
- 6:39very easy to obtain or it traveled for a
- 6:42really long time. And it was small. It
- 6:44fit in the palm of your hand. um it's a
- 6:46faceless woman. There's also a theory
- 6:48that her figure may have been based on a
- 6:51pregnant woman who was already carving
- 6:54it because of the perspective and you're
- 6:56pregnant and the way that your body
- 6:58looked would have been the closest
- 6:59representation that they had to that.
- 7:01But of course, none of that we can
- 7:03prove. We can just prove that someone
- 7:05carved it and someone brought it around
- 7:07with them. So these necklaces and these
- 7:09engraved tools and these fertility
- 7:12statues or so we think they can't easily
- 7:14be explained away as utilitarian. Just
- 7:17because we need something doesn't mean
- 7:19that we need it to be pretty uniquely
- 7:22human feeling. There's repeated
- 7:25religious imagery that we can see as the
- 7:28religions changed across the world and
- 7:30not just the beautiful stained glass
- 7:32that are in churches but the Arabesque
- 7:36writing and carvings at the Alhamra for
- 7:39example.
- 7:41Um the we decorated things to exalt them
- 7:47because they were precious to us and we
- 7:50treated them more preciously in some
- 7:53cases than family. There's lots of
- 7:56traditions across the world that would
- 7:59provide food offerings to religious
- 8:01sites. And can you imagine
- 8:04one of the only things that you have of
- 8:07wealth is also the way that you sustain
- 8:09yourself and you still left a part of
- 8:14what would feed you at the altar in
- 8:17praise. Leaving an orange is just as
- 8:19valuable to someone as a gold goblet
- 8:22depending on how much you had. We know
- 8:24that communication is important because
- 8:26it's something that's resonated with us
- 8:28through eons. That we don't make it
- 8:31simply because we need to express oursel
- 8:34because that's a modern feeling. And we
- 8:36know that we don't just make it for
- 8:38utilitarian reasons. And what is it?
- 8:40It's more community and belonging and
- 8:45feeling like you're a part of. And that
- 8:48meaning that we look for
- 8:52is not just meaning in life. It's
- 8:56meaning within ourselves,
- 8:59meaning within our families,
- 9:02meaning within a tribe of people. So
- 9:04let's make that our new hypothesis.
- 9:07From music to patterned clothing
- 9:11to fragrances and makeup,
- 9:15food, everything is kind of art. And if
- 9:19it's not, we don't value it as much.
- 9:21Think about your favorite bowl or cup.
- 9:26It generally is not a mass prodduced
- 9:29item. It could be, and that's fine, but
- 9:32there's usually something about it that
- 9:34you connect with. And it might be the
- 9:36pattern. It might be the weight, might
- 9:37be the way that it's shaped, but someone
- 9:40out there thought about that design and
- 9:44that resonated with you. The end of the
- 9:46day,
- 9:48I just want people to acknowledge that
- 9:51their life would be a lot shittier.
- 9:55At the end of the day, I would love
- 9:57people to acknowledge just how different
- 10:00the world would be without art and
- 10:04artists. So today, while we might not
- 10:07paint in caves anymore, we're still
- 10:09leaving messages for people everywhere
- 10:12through our music, our writing or
- 10:15painting or drawing. And it might be
- 10:17something that you're sitting with right
- 10:19now and you're thinking, Amy, I just do
- 10:22this cuz I like it. Or I just do this
- 10:25because I don't want to be stressed out
- 10:26and this bring me brings me joy. Or it
- 10:29could even be like this is my job. This
- 10:32is why I draw this. and all of those are
- 10:35valid. I'd like to think that on some
- 10:37level it's you trying to reach out with
- 10:40just a little bit of yourself to other
- 10:42people and innately in a very human and
- 10:46personal way I think that it's because
- 10:49we don't want to be forgotten. We want
- 10:51to leave things behind and if we're
- 10:53going to leave something behind then let
- 10:55it be beautiful. Let it be valued. let
- 10:57it be passed down to your children and
- 11:00your children's children and your
- 11:01children's ch or their children's
- 11:03children. But in a modern context, even
- 11:06for people that don't think that they're
- 11:08creative or don't aspire to be an artist
- 11:12in any level, they still customize their
- 11:15phones and backgrounds.
- 11:18They still like pictures of themselves
- 11:20and their family and hang up portraits.
- 11:23They still monogram their towels and
- 11:27still make quilts and knit and crochet
- 11:29for the younger generations and pass
- 11:31those down. They wear band t-shirts.
- 11:34Even if you don't do any of those, do
- 11:37you decorate your house and make things
- 11:41more appealing with throws and cushions
- 11:45and art on the wall, even if you bought
- 11:47it from Walmart? Is it belonging?
- 11:51Is it momentos? Is it just because we're
- 11:54bored and we need something to do?
- 11:55Because that seems very shallow. So
- 11:58survival, utilitarianism,
- 12:01beauty, expressing ourselves, belonging,
- 12:06communication,
- 12:08all of those could be the answer. I
- 12:11would say that they probably live
- 12:13amongst the trees. We're putting our
- 12:15hands on the wall metaphorically
- 12:19to connect with people and to
- 12:21communicate with people. And the best
- 12:25art for each person
- 12:28is art that has some sort of emotional
- 12:31context and it's usually that connection
- 12:34with the artist. So, my closing thoughts
- 12:38for you, maybe we don't make art because
- 12:43we're artists at heart. Maybe being
- 12:47human is what it means to make art. So,
- 12:51we may not paint on caves anymore.
- 12:53Medium has changed, but the impulse
- 12:56to surround yourself with beautiful
- 12:58things that remind you of your family or
- 13:02specific time periods or your emotions
- 13:04has not. So, if you have a minute today,
- 13:07just look around you at all of the
- 13:09things that aren't utilitarian
- 13:13in your life. All of the things that
- 13:16maybe you walk by every day, but at some
- 13:18point you were really excited to buy
- 13:21that or receive that or create it
- 13:24because it's something ancient in us
- 13:25that we still don't have a concrete
- 13:28answer for. We can only think through
- 13:31our own lens at what that might actually
- 13:33be.
- 13:35And I know for a fact that everything
- 13:38that I own that is beautiful.
- 13:42Most of it is not needed.
- 13:46Most of its only purpose is for me to
- 13:49look at it and it be beautiful. And
- 13:51maybe that will be another conversation
- 13:53about art and beauty and if it has to be
- 13:55that way. So I'll leave it to you now.
- 13:58If this has resonated with you in any
- 14:01way, I would love your feedback.
- 14:04But what I hope is that if anybody sees
- 14:06this that they'll have something to take
- 14:09away to think about. That's what good
- 14:12conversation does.
- 14:14Time evaporates while you're with that
- 14:17person,
- 14:19but it stays with you for the rest of
- 14:21your life because you're thinking about
- 14:25what kind of impact this Yes.
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