AI 때문에 영상 업계, 진짜 망하고 있을까? 현업자 11명에게 물었습니다 — Transcript
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- 0:00They were really just using AI for
- 0:01everything. Now,
- 0:02I personally felt that things have
- 0:04definitely become more difficult.
- 0:05Wow, this is a really big problem.
- 0:07I’m not saying we shouldn’t use AI
- 0:09at all,
- 0:09but I’ve been working for 20 years,
- 0:10and there haven’t been many years
- 0:11where there wasn’t an economic
- 0:12downturn. "Wow, the economy is booming!
- 0:14""There’s so much motion graphics
- 0:15work!" I don’t think there have been
- 0:16many times like that.
- 0:17Hello. I’m motion graphics designer
- 0:20Joco-va. I think anyone working in
- 0:21video or motion graphics these days has
- 0:23probably thought about this at least
- 0:25once. "Is this video industry really
- 0:26going to disappear because of AI?"
- 0:28Students or newcomers just starting out
- 0:30now must feel even more anxious. But
- 0:33beyond what we see on the internet, how
- 0:36do the people actually working in the
- 0:39field feel? So today, I asked the same
- 0:42questions to 11 professionals currently
- 0:44working in video, motion graphics,
- 0:47design, and AI. Has work really
- 0:49decreased? Is it because of AI? How
- 0:51much is AI actually changing our work?
- 0:53And finally, if you were to start in
- 0:55this video industry again today, would
- 0:57you still join? I didn't conduct these
- 0:59interviews with a predetermined answer
- 1:01in mind. The opinions were quite
- 1:02divided, more than I expected. Let’s
- 1:04hear it directly from them. Hello. I am
- 1:12Woo Gwang-sik, who runs Kindorph Studio
- 1:14and Kindorph Class, also known as the
- 1:16person who designed Genius. First of
- 1:18all, I definitely feel it. I think the
- 1:20economic downturn is the biggest reason
- 1:21. Yes. The number of contents being
- 1:23produced these days has decreased
- 1:25significantly, so I think work has
- 1:27naturally decreased as well, and
- 1:28secondly, I think AI is also having
- 1:30some impact. Yes. Actually, some
- 1:32clients who used to outsource work to
- 1:34us have been doing the work themselves
- 1:36using AI internally. Looking at those
- 1:39aspects, I believe the economic
- 1:40downturn and AI are what are having the
- 1:42biggest impact right now.
- 1:44Yes. Hello. I am Yoo Jun-sang, also
- 1:46known as Litic, the CEO of the motion
- 1:48production company Litic Industry. I
- 1:50think the size of the pie in this
- 1:51market has definitely shrunk. The
- 1:54number of contents has certainly
- 1:56increased a lot, but I feel like the
- 1:57amount being outsourced has definitely
- 1:59decreased quite a bit.
- 2:02I am Kim Young-min, the CEO and
- 2:04director of the Super Very More
- 2:05graphics studio. We don’t really feel
- 2:09it that much. I think it has to do with
- 2:13our studio’s identity, but we don’t
- 2:16just produce based on given plans; most
- 2:19of the projects we get want us to
- 2:21handle the ideation for planning,
- 2:23direction, or artwork first, so perhaps
- 2:26that’s why it hasn’t affected us
- 2:29much. I’ve heard that freelancers or
- 2:32teams who specialize in image
- 2:33implementation have seen a significant
- 2:36drop in the number of their projects. A
- 2:38change in how I communicate with
- 2:40clients now is that they sometimes ask
- 2:42for an additional quote, specifically
- 2:44asking, "What would the estimate be if
- 2:47we used AI?" Regarding hiring and
- 2:49similar areas, I’ve definitely heard
- 2:51things, and from my own experience with
- 2:53recent hiring, I get the feeling that
- 2:55opportunities have decreased compared
- 2:57to the past.
- 2:58Hello. I am active as an AI artist,
- 3:02Kiki. For me, I’ve definitely felt
- 3:04that things have become more difficult.
- 3:06It’s not so much that projects
- 3:08themselves have disappeared, but
- 3:09compared to before, the manpower,
- 3:11budget, and production time allocated
- 3:13to a single project have shrunk
- 3:15significantly. On top of that, clients
- 3:18have higher expectations and demand so
- 3:20much more.
- 3:23The required quality of the output has
- 3:24risen, and the frequency of revisions
- 3:26has increased because they know AI is
- 3:28being used, so there are definitely
- 3:29some challenges there. I am Kim Ji-sun,
- 3:34a motion graphics designer with 20
- 3:36years of experience and the CEO of
- 3:38Studio Willer. It is certainly having a
- 3:41significant impact. Sometimes we get
- 3:43asked, "Can you use AI for our project?
- 3:45" Whenever that happens, there have
- 3:50been several inquiries asking if we can
- 3:54cut the schedule in half or slash the
- 3:57budget by using AI; when they say "use
- 4:01AI," it often implies they want
- 4:04high-quality results very quickly.
- 4:08Often there isn't much left over in
- 4:10terms of costs, and AI doesn't just
- 4:13magically produce exactly what I want
- 4:15in one go, does it?
- 4:16That’s correct.
- 4:18In reality, AI still hasn't been able
- 4:21to produce the quality or the
- 4:23directorial vision we want to reach the
- 4:25final stage of work.
- 4:28Hello. I was one of the early
- 4:29organizers of Rhythmical, my name is
- 4:31Carrot Juice, and I am fortunate enough
- 4:33to still be working as a motion
- 4:34graphics freelancer with 20 years of
- 4:36experience. Entering this year, a lot
- 4:38of genuinely useful AI tools have
- 4:40emerged, and I think there's a clear
- 4:42divide before and after the release of
- 4:44Stable Diffusion. Such changes in the
- 4:47production market are specifically
- 4:49affecting unit prices quite a bit, and
- 4:51the time has already come to seriously
- 4:53consider how we should proceed with our
- 4:56work. Yes.
- 4:57Hello. Yes. I am Kim Jin-hwa, and I run
- 5:00the YouTube channel "Editor's Wise Man.
- 5:03" There are probably various problems.
- 5:05There are economic issues, advertising
- 5:08budget constraints, and many people
- 5:11entering the content market, so it’s
- 5:15hard to say it’s difficult just
- 5:17because of AI. However, since AI
- 5:22appeared, there is a clear perception
- 5:26among the public and clients that video
- 5:29production is easier and faster than
- 5:33before, which leads them to ask, "Can't
- 5:36production time be shortened?""Can't
- 5:41costs be reduced by using AI?" I think
- 5:44I said it was difficult because of the
- 5:46expectations that come with those
- 5:48questions.
- 5:49For example, the unit price for
- 5:51projects has dropped significantly
- 5:53lately as people utilize AI. I’ve
- 5:56also had requests to lower my usual
- 5:58project fees by 20%to 30%, asking, "
- 5:59Since these parts can be done with AI,
- 6:01couldn't you just lower the cost and
- 6:03proceed?" I am definitely experiencing
- 6:05that firsthand.
- 6:06I am Seo Won-il, a freelance motion
- 6:09designer working under the name Seven.
- 6:12It may vary from person to person, but
- 6:13the projects coming to me have
- 6:15certainly decreased. Because of the
- 6:17uncertainty of AI technology and not
- 6:18knowing where or how much it will
- 6:20branch out.
- 6:20Ah.
- 6:21It seems that most companies are no
- 6:23longer willing to pay high costs for
- 6:25marketing.
- 6:26This is definitely having an impact.
- 6:30Clients, production companies, and
- 6:32creative teams all seem to want to
- 6:34experience the possibilities of AI.
- 6:38Most clients and workers just want to
- 6:41save time and money anyway. So they
- 6:45think, "If we use AI, isn't there a
- 6:47possibility for that?" But in my
- 6:50opinion, the term "possibility" is
- 6:52scary because it feels like an
- 6:54uncharted territory that no one has
- 6:56been to. Since they lack experience and
- 7:01don't know the limits of AI—or how
- 7:04much it can be modified—they end up
- 7:06treating it like a gacha game, unable
- 7:09to clearly state what can or cannot be
- 7:12done. So, not being able to predict
- 7:15where time and costs will end in this
- 7:18process is actually very unsettling,
- 7:21and the job of design is to solve
- 7:23someone's problems. But this anxiety
- 7:26about not being able to guarantee a
- 7:28solution is actually what feels most
- 7:31dangerous. For one, the speed of work
- 7:35has certainly become faster. For
- 7:37example, we're using AI in the style
- 7:38frame stage for most things now. This
- 7:40has allowed us to capture the desired
- 7:42mood much faster than creating images
- 7:44from scratch, and since the process has
- 7:46shifted to getting approval based on
- 7:48those images before starting the main
- 7:50work, the workload has definitely
- 7:52decreased. We’ve also been using AI
- 7:54for a lot of modeling lately, though
- 7:56whether we can create an entire video
- 7:57with AI for final delivery is still a
- 7:59bit ambiguous.
- 8:01In my view, it seems fine for
- 8:02lower-quality videos or bidding samples
- 8:04, but when it comes to videos that
- 8:06require higher production budgets and
- 8:08quality,
- 8:09I do think it's still at a stage where
- 8:11it's a bit difficult.
- 8:12They really just used AI for everything
- 8:14. For our work, one thing is for sure:
- 8:16we no longer draw storyboards or
- 8:18anything like that ourselves. We always
- 8:21go with AI images because the
- 8:23advertisers really like it, as it gives
- 8:26them a clear image, and since it’s
- 8:29created with just a few clicks,
- 8:31it's certain that we use AI almost 100%
- 8:34in the planning stage. Beyond just
- 8:36planning, we also use it a lot in the
- 8:38production stage; for 3D, we used to do
- 8:40everything from modeling to lighting
- 8:42manually. Even if we do the modeling, I
- 8:44think AI handles the lighting better
- 8:46these days. The fact that it can output
- 8:49things like reflections in the
- 8:51environment or lighting directly,
- 8:52honestly, even compared to 3D,
- 8:55I think the output is better than what
- 8:57most artists can produce. AI does.
- 8:59Ah, actually, I'm getting a lot of help
- 9:02from it.
- 9:03Oh, really? Yes, so, it has actually
- 9:05become much easier to draw storyboards
- 9:07in great detail. Even if I draw stick
- 9:10figures, it makes them look plausible
- 9:11because it realizes the storyboard for
- 9:13me. Yes.
- 9:15So, in my case, even if I just draw
- 9:18rough poses or silhouettes, it
- 9:20generates them in the desired style to
- 9:23a certain extent, which makes drawing
- 9:26boards much easier. It’s become
- 9:29easier to test various look-devs in the
- 9:31style frame stage.
- 9:32Hello. My name is Jong-mo Park, a
- 9:35designer. I specialize in motion
- 9:37graphics. I will try my best to answer
- 9:40your interview questions. I'm not using
- 9:42it aggressively, but I needed this kind
- 9:45of direction for a specific project. It
- 9:48required a complex simulation, and
- 9:50since I don't use those tools, I was
- 9:52wondering how to express it, and in
- 9:54that moment, I decided I should try
- 9:56doing it with AI. I brought it into
- 9:59After Effects and finished it up that
- 10:01way. I run a self-taught video
- 10:06production channel, and aside from AI,
- 10:08I also handle various commercial
- 10:09projects, including live-action
- 10:11shooting. My name is Lee Yong, and I
- 10:13run a production company called Woong
- 10:15Film. Our main characteristic is that
- 10:18we always create images based on
- 10:19Midjourney.
- 10:21Is there a specific reason why you
- 10:22insist on using Midjourney? The texture
- 10:24of the images is definitely different.
- 10:26I felt from the beginning that
- 10:28generating images with Midjourney and
- 10:29then refining them is the best way to
- 10:31maintain high quality, so that’s how
- 10:33I do it.
- 10:34Oh, I haven’t been able to use it
- 10:35much in actual work yet. I’ve tested
- 10:36it for practical tasks,
- 10:37but I couldn’t control it exactly the
- 10:39way I wanted.
- 10:40Oh, that’s right. Since clients
- 10:42always ask for very detailed revisions,
- 10:44I feel it’s still a bit lacking in
- 10:47that regard.
- 10:48For video, I’ve been using tools like
- 10:51Kling or Cydens, but it’s very rare
- 10:54that I use them for the final output.
- 10:58We usually use Keakus Field the most.
- 11:02When it comes to fully generative video
- 11:05based on 3D rendering, we use Cydens.
- 11:10Someone who can set the stage.
- 11:11Set the stage?
- 11:12Yes. Ah,
- 11:13Second, someone with a unique
- 11:15perspective. And someone who can solve
- 11:18problems. And someone who can persuade
- 11:20others. Ultimately, if AI covers a
- 11:24significant portion of our work, I
- 11:27believe it becomes crucial whether a
- 11:30person can offer a truly unique
- 11:32perspective.
- 11:35What’s certain is that it’s about
- 11:36directing ability. I always tell people
- 11:37that if they want to be good at AI,
- 11:38they should read books. You need to be
- 11:41able to speak, write, and direct what
- 11:43you’re thinking, but people these
- 11:46days are really bad at that. Change
- 11:49image 1 to image 2. That’s all they
- 11:52can do. How are you going to change it
- 11:53from here? What are you going to change
- 11:55? What is it that you want? They just
- 11:57struggle to answer that. Since they
- 11:59can’t express it in keywords,
- 12:01everyone needs to become a director. If
- 12:03you want to be good at AI,
- 12:04This is my personal opinion, but I
- 12:07don’t agree with the idea that
- 12:10understanding design tools is being
- 12:14overlooked due to the rise of AI and is
- 12:17unnecessary. If 3D or 2D specifically
- 12:21fits you well, you should hone those
- 12:23skills to reach a professional level.
- 12:27It’s not just about learning a tool
- 12:29or its functions; while learning those
- 12:31features, you naturally get ideas on
- 12:33how to apply them and incorporate them
- 12:36into your next project.
- 12:38I believe the level of completion is
- 12:40the most important thing.
- 12:41Yes. Uh, the level of perfection. In
- 12:43what sense do you mean that? Even if AI
- 12:46can now technically produce perfect
- 12:48videos, if the composition and style
- 12:50don't match, or if the style shifts
- 12:52slightly between shots, it inevitably
- 12:53feels unprofessional and like a
- 12:55lackluster job. I think it will become
- 12:58important to accurately understand the
- 12:59style you're trying to create and
- 13:01effectively utilize AI.
- 13:02Of course, you probably feel this too,
- 13:04Jong-coba, but the fundamentals are
- 13:06what matter most, as well as a good eye
- 13:08for video, and simply having an open
- 13:10mind that doesn't reject AI. That is a
- 13:11very impressive point. The idea of
- 13:13having an accepting mind—honestly,
- 13:15that wasn't easy for me either.
- 13:17Accepting AI.
- 13:17It was so difficult for us to persuade
- 13:19our team members, too.
- 13:20I think it comes down to the basics of
- 13:22filmmaking. If someone without a
- 13:25foundation starts with AI, it's like
- 13:27building on sand; while it's true to an
- 13:29extent that AI can do things I can't do
- 13:32for me, it doesn't cultivate an eye for
- 13:34quality. So, friends who haven't done
- 13:40much work and lack an eye for motion,
- 13:43video, design, or directing skills seem
- 13:46to rely entirely on AI and feel that
- 13:50whatever AI gives them is the final
- 13:53answer. It's not that I'm saying don't
- 13:56use AI at all.
- 13:58You need to interpret it in your own
- 14:00way before applying it. There are times
- 14:04they bring something so messy that I
- 14:06can't even recognize it, and when I ask
- 14:08, "Did you make this with AI?" they
- 14:11hesitate and then say yes.
- 14:14In that case, that day's assignment
- 14:15gets a zero.
- 14:16Wait, isn't that a bit cold, especially
- 14:18compared to your soft-spoken tone?
- 14:20First of all, I think planning ability
- 14:21is the most important thing. When I say
- 14:24this, I don't mean that production
- 14:25skills are no longer necessary. Rather,
- 14:29I think this AI has lowered the entry
- 14:31barrier to the video industry
- 14:33significantly. That's why designers
- 14:37seem to be quite negative and angry
- 14:40about AI these days. There are so many
- 14:44people lamenting that AI is threatening
- 14:46their jobs and their livelihoods. Ah,
- 14:49that's true.
- 14:50But honestly, I think that since we are
- 14:53already in the position of having
- 14:54studied these techniques, this could
- 14:57actually open up an era of new
- 14:58opportunities.
- 15:00Hello. I'm Hajeon from the YouTube
- 15:03channel "Video Class," where I share
- 15:05tips on video production and introduce
- 15:07cameras. In the past, if you were just
- 15:10good at making things, you'd get picked
- 15:12up, but now, because everyone is using
- 15:14AI, everyone makes things well. It's
- 15:16The baseline has been raised a bit.
- 15:17Yes. The baseline has been raised.
- 15:19Isn't it becoming incredibly important
- 15:21now to organize and promote the skills
- 15:23you're better at than others? What
- 15:26remains important now and in the future
- 15:27is simply the basics. The sense of
- 15:30design and direction that fits the
- 15:32video concept, composes style frames,
- 15:34expresses them visually in a cool way,
- 15:36and the ability of a designer to take a
- 15:38received project and see it through to
- 15:40a completed final product won't
- 15:42disappear.
- 15:44The form may change—sure, freelance
- 15:46work might decrease—but I believe
- 15:48we’ll still need someone in charge,
- 15:49no matter how much AI does for us. As I
- 15:52mentioned, what becomes less important
- 15:54is the smaller scope, the kind of tasks
- 15:56that AI can cover, which actually makes
- 15:58up most of the work. In reality, there
- 16:01isn't that much "high-quality" work;
- 16:03for most freelancers or small companies
- 16:06, it's work of a standard quality that
- 16:08AI can already handle. We need to give
- 16:10that some thought. And what’s
- 16:12becoming more important is that there
- 16:14are many different fields of AI, right?
- 16:16Knowing what those are, and
- 16:18understanding the pros and cons of each
- 16:22—
- 16:22that ability to grasp them. It means
- 16:24you need to know which AI has strengths
- 16:26in certain areas and how you can apply
- 16:28AI to your project. Ah, I think I’d
- 16:33probably just study physics and go to
- 16:35SK Hynix instead.
- 16:39Wow, I never even imagined that.
- 16:41In the end, while money matters, I’ve
- 16:43always had a personality where I just
- 16:45have to do what I want to do.
- 16:47And honestly, I think many people in
- 16:49the video industry have that same kind
- 16:50of personality. I've found that a lot
- 16:53of people enter this industry because
- 16:55of a desire to express the things they
- 16:57imagine. So, as long as there are many
- 17:00such people in the industry, I think
- 17:01everyone will eventually find their way
- 17:03to this path of video. I would
- 17:05obviously say yes.
- 17:07Because if you ask me to join based on
- 17:09the industry's outlook, I'd definitely
- 17:11say no.
- 17:11Ah.
- 17:12But if you're someone who actually
- 17:14enjoys this itself, then obviously it's
- 17:16a yes.
- 17:17Yeah.
- 17:17Now, since the AI sector has grown so
- 17:19big recently, there’s a word of
- 17:21caution.
- 17:22I think people might feel a lot of
- 17:24disillusionment, thinking that relying
- 17:26too much on AI makes the effort of
- 17:28crafting every single motion by hand in
- 17:31After Effects feel meaningless. So, you
- 17:33should actually focus on the
- 17:35fundamentals.
- 17:36But since there are too many
- 17:37distractions now—
- 17:38True.
- 17:38Yes, yes. I get that feeling.
- 17:40Wait, just a second.
- 17:42Ah, hold on a minute. Why are you
- 17:43hesitating?
- 17:44But I think I would do it. I consider
- 17:47this to be my calling.
- 17:48Oh, I would definitely join. It's not
- 17:50too late even now. Because if more time
- 17:52passes, it'll be even later. AI
- 17:54technology will only get much better
- 17:56than it is now, and it will become so
- 17:58easy that anyone—even kindergarteners
- 18:01or elementary students—will be able
- 18:04to use it. But if you're too afraid of
- 18:07AI to do anything, you're missing out
- 18:10on the chance to land a job or advance
- 18:12your career by jumping in early and
- 18:15leveraging it. If you're just sitting
- 18:18there, too scared to even apply for an
- 18:20internship, and saying you'll only
- 18:21focus on After Effects, you'll end up
- 18:23getting left behind. Oh, right.
- 18:28For those preparing to enter the
- 18:29industry, I hope you make good use of
- 18:31the fact that the barrier to entry is
- 18:33lowering. I think it’s important in
- 18:35today’s market to become a true
- 18:36specialist in at least one specific
- 18:38area. Ah, how should I put this to
- 18:39encourage them? Good luck!
- 18:40You must accept the flow of the times.
- 18:43If there's something you're afraid of,
- 18:45that fear usually stems from the
- 18:47unknown. The reason you're afraid is
- 18:49that you haven't tried it yet; once you
- 18:51do, you'll see there are plenty of gaps
- 18:52to fill. It's crucial now to become
- 18:55someone who can master those things and
- 18:58fill those gaps. Instead of fearing
- 19:02that AI will take your job, ask
- 19:04yourself, "How far can AI expand my
- 19:06capabilities?" I hope you engage with
- 19:09your work while contemplating that
- 19:11happy possibility.
- 19:12Are you asking if you shouldn't study
- 19:14these tools anymore? Or if you should
- 19:16only use AI?
- 19:17Yes. I also get a lot of questions
- 19:19about whether or not it's okay to enter
- 19:21this industry at all. What I want to
- 19:24say for sure is
- 19:25Yes.
- 19:26You must study your tools. And you must
- 19:28consistently look at artwork. You still
- 19:32need to follow the traditional study
- 19:34methods we've always used—the ones
- 19:36Jong-ko Gwan has shared through so much
- 19:38of his content. It is absolutely
- 19:41critical. You are mistaken if you think
- 19:43otherwise. Please don't get that wrong.
- 19:46First, don't think of AI as something
- 19:48that will replace humans; think of it
- 19:50as a new tool that can help you work
- 19:52more efficiently. When real-time
- 19:55rendering was introduced to the
- 19:56industry, I was surprised because I
- 19:58wasn't using it at the time. I thought,
- 20:01"I wish I could learn this quickly and
- 20:03put it to use," and now I think we
- 20:05should approach AI in the same way.
- 20:08Even if it advances,
- 20:09Yes.
- 20:10I believe design will always be
- 20:12necessary for the entire process of
- 20:13communicating with clients, creating
- 20:15work, and making revisions.
- 20:16So, I hope you don't be afraid and
- 20:19instead enjoy it.
- 20:20Ah, but how should I say this? My heart
- 20:24aches for the students I teach and
- 20:26those who want to get hired by
- 20:28companies.
- 20:30I always want to give them words of
- 20:32hope. But,
- 20:33the reality is just so tough.
- 20:36Yes. And once you actually get into
- 20:40this industry, you have to work harder
- 20:42than you ever imagined to survive. I
- 20:45need to tell you this: it isn’t
- 20:48always sweet.
- 20:51It’s not always going to be easy, the
- 20:53barriers might be higher than you think
- 20:55, and there will be many times when you
- 20:57truly hate the work you’re doing. I
- 21:01hope you put in a lot of effort and
- 21:03sharpen your unique strengths into
- 21:05tools, while making sure you truly love
- 21:07what you do. Using AI is about pulling
- 21:12up the potential that was hidden deep
- 21:15down, things you never even thought of,
- 21:18and using it as a tool to let those
- 21:20ideas blossom. But you have to work
- 21:24extremely hard.
- 21:26That is what I want to tell you.
- 21:28How did you find it? Through these
- 21:31interviews, I clearly felt one thing.
- 21:34That it’s true the industry is
- 21:36changing. It’s also true that this
- 21:38change is being driven by the
- 21:39undeniable influence of AI. And in some
- 21:42ways, it seems clear that the economic
- 21:44downturn is also playing a part. Still,
- 21:46to survive in this industry, everyone
- 21:49kept saying the same thing: the ability
- 21:51to decide what to create, the eye to
- 21:53judge good from bad, and the skills for
- 21:56staging and directing are becoming
- 21:58increasingly important. While I’ve
- 22:02also been able to create things much
- 22:04faster using AI, I’ve come to realize
- 22:06that, in the end, human choice is what
- 22:09matters most. So, if I may offer one
- 22:13word to those preparing to enter this
- 22:15industry: rather than finding reasons
- 22:18not to start because of AI, I think it
- 22:20would be better and more realistic to
- 22:23think about what kind of designer you
- 22:25want to be in the age of AI. I want to
- 22:28thank everyone who participated in
- 22:30today’s interviews once again. I’m
- 22:32also curious to hear what you think. If
- 22:34you were starting all over again right
- 22:36now, would you still join this video
- 22:38industry? I’d appreciate it if you
- 22:41could leave a comment. I’ll see you
- 22:43in the next piece of content.
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This page contains the full transcript of AI 때문에 영상 업계, 진짜 망하고 있을까? 현업자 11명에게 물었습니다 by JohnKOBA Design, generated from the public captions YouTube serves with the video. The transcript has 3,810 words across 619 segments, with the original timestamps preserved so you can click any line to jump to that moment in the embedded player.
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