放送作家はAIによって失業するか【第92回 日本未来会議】 — Transcript
Full transcript
- 0:00Will broadcast writers go into business
- 0:03with AI? The
- 0:03era in which program producers create
- 0:05programs by bouncing ideas off each
- 0:07other with AI is,
- 0:08well, like a shut-in. I don't think
- 0:10it's possible to leave everything to
- 0:11this guy alone. If
- 0:13talented people use AI, it can be a
- 0:16powerful force. It can really break
- 0:20down why it's interesting. Japan's
- 0:29Future. This program is brought to you
- 0:32by the sponsors you see here. Here we
- 0:36go. Japan Future Conference. Today, we
- 0:40have Osan as our guest again, following
- 0:43last week. Thank you for having me.
- 0:47Thank you for having me.
- 0:49Sorry. No,
- 0:50not at all. So, Kisan, what should we
- 0:52talk about today?
- 0:53Yes. Since you asked Osan, will
- 0:56broadcast writers go into business with
- 0:58AI?
- 1:00Yes. The
- 1:04evolution of generative AI is shaking
- 1:06up the creative scene. AI can now
- 1:11instantly create research, plans, and
- 1:14scripts. While some say that AI cannot
- 1:19understand human emotions or humor, AI
- 1:21can learn from vast amounts of data and
- 1:23generate countless ideas at low cost.
- 1:28Will broadcast writers 'jobs be taken
- 1:30over by AI? This will
- 1:33100%disappear.
- 1:34Oh, who's
- 1:37objecting here?
- 1:39But, these days, a lot of the main work
- 1:41of a broadcast writer is writing
- 1:43material for YouTubers. Yes. Yes. I
- 1:47think that's pretty big.
- 1:48So, that's fine. It's the same with the
- 1:51Yasuma program and things like that,
- 1:53but can I include all of that as a
- 1:55broadcast writer?
- 1:56Okay,
- 1:56all of it. Will the job of a broadcast
- 1:59writer disappear due to AI?
- 2:01Those who think it will disappear are
- 2:03in favor, and those who don't think it
- 2:05will disappear are against.
- 2:06So, what is the job of a broadcast
- 2:08writer? Simply put, it's to be a mentor
- 2:12to TV station producers and directors.
- 2:15Oh.
- 2:16Yeah. Their main
- 2:19job is to work with TV station
- 2:21producers and directors and, um, give
- 2:23them advice.
- 2:28My job is to give advice to
- 2:30Noguchi-san's work and improve the
- 2:32level of Nono's work. When it comes to
- 2:34broadcast works...
- 2:35That's right. Now, everyone, please
- 2:37submit your opinions at once.
- 2:39Who said they objected? Everyone said
- 2:41they
- 2:43objected. Yes. Yeah, that's
- 2:46amazing.
- 2:47First, let's start with Kanefuji-san,
- 2:49who is in favor.
- 2:50Yes. So, in today's terms, it's like a
- 2:53program producer, or rather, a writer,
- 2:55and I think the time is coming when a
- 2:57program producer of this standing
- 2:59position will bounce ideas off AI and
- 3:01create something. And if, for example,
- 3:03Suzuki O-san, who really relies on
- 3:05people, were still a broadcast writer,
- 3:08I think Suzuki Dai-san would just
- 3:10become a producer.
- 3:11Yeah. That's what we
- 3:12should do.
- 3:13Yeah. So I think the job of a writer
- 3:16will simply disappear.
- 3:19Now, let's start with Aochanpe. It's
- 3:23been said that AI is like an introvert,
- 3:25but I also update my TikTok every day.
- 3:27And I'm at a loss for material. So I
- 3:29try to throw information at AI and have
- 3:31it come up with something, but the
- 3:32material I come up with exactly as AI
- 3:34says it doesn't usually go viral. Why
- 3:36is that? It's like when everyone's
- 3:38having a great time and someone in the
- 3:39background thinks something funny and
- 3:41throws it out, and everyone goes silent
- 3:43. It's like a LINE message that's just
- 3:45a little bit boring, or something
- 3:46that's a little off. It's like it's 1mm
- 3:50off the mark. So even if you can have
- 3:54AI create bashing, you still need to
- 3:55make some changes to it or have someone
- 3:57with a good sense examine it. So I
- 4:01think that AI is like a shadowy figure,
- 4:03and it's impossible to leave everything
- 4:05to it alone. I think it's impossible
- 4:08for it to take over all the work that
- 4:09humans do. That might be
- 4:11true for current AI, but AI is
- 4:13constantly evolving, so I wonder if it
- 4:15will
- 4:16surpass it at some point. I don't
- 4:18know what the future holds, but my
- 4:20current opinion is this. Yes.
- 4:22I wrote that Suzuki O will never
- 4:24disappear, but I've actually been
- 4:26watching Suzuki O's YouTube videos for
- 4:28a long time now, and I've seen
- 4:30episodes where his passion for
- 4:31producing programs is just too much,
- 4:33like a crazy tool. When you have
- 4:37someone with such crazy passion who
- 4:39leads the show without rest, the people
- 4:41around them are influenced and the show
- 4:42ends up being great. AI can't do that.
- 4:48Of course, aside from Masono's skills
- 4:50and talent as a broadcast writer, his
- 4:52crazy passion and insane talent make
- 4:54people think, "If that person is
- 4:55working so hard, then we should too."
- 5:00The other actors, including the filming
- 5:02producers, get on board, and the
- 5:03passion for the program builds up,
- 5:05resulting in a great program that
- 5:07doesn't really go viral with AI. That's
- 5:11why I think broadcast writers with
- 5:13insane talent like Suzuki-san can still
- 5:15survive. He's had it for a long time.
- 5:17So many of them have been around for a
- 5:18long time? I see. It's not
- 5:21just me, but even people who aren't
- 5:23broadcast writers.
- 5:24For example, Terry Ito is like that.
- 5:26Yeah. That's right, but even people
- 5:28like Kataoka-san, who I worked with on
- 5:30the Tamecha series, and even
- 5:32celebrities, if they didn't have insane
- 5:34talent, they wouldn't have been
- 5:36successful. Yeah.
- 5:37Yeah.
- 5:37Oh, I see.
- 5:38Yeah.
- 5:39Nihon Mirai hasn't gone viral yet.
- 5:41Maybe it's because Yoki-kun isn't crazy
- 5:43.
- 5:43No, we're all struggling. It's true
- 5:46that Noguchi-san is
- 5:47crazy about the land and we are the
- 5:48ones who are being targeted and going
- 5:50crazy, but the
- 5:50organizer is crazy. It's not good for
- 5:52the organizer to be crazy. It's
- 5:54enthusiasm.
- 5:54Yeah. That's
- 5:55true.
- 5:56Now, Okada-san, please.
- 5:58I didn't know that, but if you said it
- 6:00was a mentor, then that means that if
- 6:02it becomes AI, then everything from the
- 6:04producer to everything else will
- 6:06definitely be unnecessary. That's
- 6:08my opinion, though.
- 6:09Yes. So, even if it can come up with
- 6:13small ideas, it's probably impossible
- 6:16to fill the gap of moving people's
- 6:17hearts, and that's where AI's
- 6:19limitations will continue forever. I
- 6:21don't think it can
- 6:22move people's hearts, as Yoi-kun
- 6:24mentioned earlier. It doesn't seem like
- 6:26AI will be able to do that in the next
- 6:28five years or so. Ultimately, it comes
- 6:30down to the fun of learning, and the
- 6:32real fun is that people who can capture
- 6:34the times are the ones who have never
- 6:35done it before, and they think, "What's
- 6:37this guy?" It's the same with Terry, or
- 6:40Egashira, who seems to be oversleeping,
- 6:42and then when they finish one round,
- 6:44everyone starts to like them. That's
- 6:47something that AI can't create, and
- 6:49only humans can create. Well, it's the
- 6:53same with performers and broadcast
- 6:55producers.
- 6:55Yeah. Now, if you
- 6:57ask AI about Zos on this stage, it
- 6:59won't do it. Because it would probably
- 7:01say, "This way, this way, this way."
- 7:03Hmm.
- 7:04Most commentators are against this,
- 7:06right? But Suzuki-san, no, you have to
- 7:09practice. You can say, "You'll lose to
- 7:11Air, so kick it." I think this is the
- 7:13greatness of humans, and it's
- 7:14not about probability theory. So, do
- 7:18humans want this AI to be more complete
- 7:20and beautiful? I like Toshihiko
- 7:25Tahara's slightly off-kilter singing,
- 7:27and I
- 7:28like the annoying way he always hits
- 7:30fly balls even though he's the fourth
- 7:31batter for the Giants. I think that
- 7:36humans will probably continue to seek
- 7:38that kind of human-like imperfect
- 7:40difference and incomplete system until
- 7:42the very end, but if even broadcasting
- 7:44is controlled by AI, humans will lose
- 7:46everything. Cheers.
- 7:51I have a completely different opinion,
- 7:52but I think that AI's level won't reach
- 7:54that level. That's also because, in the
- 7:57end, the main AI in the US and China,
- 7:59which is open AI, is weak in Japanese.
- 8:01AI. I run a translation company. When I
- 8:03was working at a
- 8:04translation company, I thought that
- 8:06translation work would disappear due to
- 8:07AI. On the
- 8:08contrary, it's increased. Yeah. Yeah.
- 8:10It
- 8:10can't even translate. AI is already the
- 8:13easiest, but that's not
- 8:14good enough. Japanese is too difficult,
- 8:17so as long as it's Japanese, it won't
- 8:19reach that level. It would be
- 8:20different if AI could create an AI
- 8:22unique to Japan. But there's not a
- 8:24single AI unique to Japan right now, so
- 8:26it still can't translate.
- 8:27Right now, it's not that big of a deal.
- 8:29Yes. I wonder if AI will improve that
- 8:32much.
- 8:32No, it will surpass humans.
- 8:34No, in Japanese.
- 8:36Yeah. Because it can do it in Japanese.
- 8:38It's
- 8:38Japanese logic, so in the end, it's
- 8:40definitely possible. 100%possible.
- 8:43No, I don't think I can do that. If
- 8:47you were still working as a broadcast
- 8:48writer, how would you use AI in your
- 8:50work? Basically, as a consultant. I've
- 8:56been listening to this opinion for a
- 8:58long time, but first of all, what is an
- 9:00important point? What is a broadcast
- 9:01writer?
- 9:02Yeah. Yeah. Yeah. And
- 9:05Japan used to have a lot of writers.
- 9:07Yeah. Yeah.
- 9:08Yeah. That's partly because there was
- 9:11money to spare when it came to TV,
- 9:13but first of all, there were a lot of
- 9:15writers, and then at some point, when I
- 9:17was watching YouTubers, for example,
- 9:19when Mizutamari Bond became popular,
- 9:21Mizutamari Bond's Katou would have
- 9:23definitely become a broadcast writer in
- 9:25the past.
- 9:27So I thought at some point that people
- 9:28who become broadcast writers are
- 9:30becoming YouTubers.
- 9:31So if I were a high school student at
- 9:33that time, I think I would definitely
- 9:34have become a YouTuber. But it's
- 9:40interesting, and TV stations really
- 9:41hate it when you try to take a look.
- 9:43Like, "Oh, you've reached this level?"
- 9:45Yeah.
- 9:46For example, if I, a broadcast writer,
- 9:48could talk on the radio. They'd say
- 9:50things like, "What are you doing,
- 9:51you're just a broadcast writer?" For
- 9:53example, if I were to do something like
- 9:55a producer or direct, which is fine
- 9:57with me doing radio, people at TV
- 9:59stations would really hate it.
- 10:01Yeah.
- 10:01That was the trend back then. Yeah.
- 10:03That's why
- 10:05I really hate that culture in Japan.
- 10:08Yeah. Yeah.
- 10:09Literature, for example. I really
- 10:12hate the feeling that in literature,
- 10:14you're supposed to do this kind of work
- 10:15, but in Japan in particular, I feel
- 10:17like that's more the case than the
- 10:19media. That's why when Abe started, I
- 10:24asked him to let me call myself a
- 10:26director or producer.
- 10:29Yeah. I thought that wasn't what I was
- 10:33doing. That's why I
- 10:37thought the culture of really hating
- 10:39people who tried to step out of the
- 10:41role of a broadcast writer was so
- 10:43ridiculous. So if producers and
- 10:48directors are really good, they're
- 10:50really not needed.
- 10:51Yeah. I
- 10:52think the number of people in that
- 10:53field will gradually decrease.
- 10:54Yeah. Yeah. Yeah. So, when the number
- 10:57of people decreases, let's say someone
- 10:58like Mr. Kyūkyoku Akira is in his
- 11:0020s, and he has the ability to act.
- 11:03Oh, and he also has the composition
- 11:05skills. If someone like that uses AI,
- 11:07it's the
- 11:08best. I
- 11:09see. I see.
- 11:10Since last year, I had to do a drama no
- 11:12matter what, and when I was asked to do
- 11:14it, I decided to
- 11:16study AI as motivation to do dramas.
- 11:19Oh. So, first, I had AI read all of my
- 11:23past drama scripts, and I came to a
- 11:26conclusion. No, that's
- 11:29exactly what I said earlier, TikTok
- 11:3501 isn't that interesting right now.
- 11:37Yeah.
- 11:38But what you think is super interesting
- 11:40isn't necessarily the right answer.
- 11:44So, AI is really useful for increasing
- 11:46the success rate when you think it's
- 11:48super interesting. Oh, I see.
- 11:55So, when I think about what would be
- 11:57the best way to ask this, I know it's
- 11:59really
- 12:00annoying, but I'll write all the
- 12:02scripts that are perfect. Yeah.
- 12:04Yeah. Yeah. When you
- 12:05write something that's perfect, you
- 12:07praise it a lot, right? He
- 12:09praises her a lot. Like, "That's great.
- 12:11" And then he
- 12:11compliments her, but he also asks her
- 12:13to tell him her
- 12:14weaknesses.
- 12:14Yeah. And
- 12:16then she tells him. But she only
- 12:20vaguely understands them, and
- 12:24people don't really understand the
- 12:25structure of what they find interesting
- 12:27. I see.
- 12:30But then she breaks down the reasons
- 12:31why something is interesting.
- 12:33Yeah. I see. And when
- 12:35that happens, I realize, "Oh, this is
- 12:37why my writing is interesting." I get
- 12:41it.
- 12:41Yeah. And then I
- 12:44realized that I was doing a drama about
- 12:46competing with AI, and I had the
- 12:48actions of that crazy woman appear, but
- 12:50mine were way more interesting. The
- 12:55thoughts are interesting, but the
- 12:56motivations behind those actions and
- 12:58things like that are pretty annoying to
- 12:59write about in a drama, right?
- 13:01Yeah. Yeah. She's really good at
- 13:03getting assistance with things like
- 13:05that, or conversations over lunch
- 13:07before something happens. I see.
- 13:13So, what's
- 13:16interesting is that I think of myself
- 13:18as a human right now, and if
- 13:22talented people use AI, yeah.
- 13:26It's a great help to me.
- 13:28Yeah. And
- 13:31recently, there's been a movement where
- 13:33some really talented business owners in
- 13:35their 50s are working behind the scenes
- 13:37to
- 13:39create a lot of apps using AI.
- 13:42Oh. And they
- 13:43have experience in creating apps that
- 13:44they wanted to create, so yeah.
- 13:46I see. I see. They're really good.
- 13:48When I watch them, I see that when they
- 13:49lease apps without revealing their
- 13:51names, they often become hits.
- 13:53I think AI is incredibly useful for
- 13:55people with that kind of experience.
- 13:58Like I said earlier, if you say, "Just
- 14:00use TikTok," I can tell that it's not
- 14:02interesting, but if you say, "I'm
- 14:04really good at this, but I think this
- 14:06is a viral hit," I'm good at thinking
- 14:08about the reasons.
- 14:09Yeah. Oh. And there's
- 14:11something I find really interesting.
- 14:13When you search, yeah.
- 14:14If
- 14:14something doesn't exist, it won't come
- 14:16up. Yeah. Yeah.
- 14:17Hmm. There
- 14:18really aren't any really hits in the
- 14:20world, right?
- 14:21So, I see. There aren't any that aren't
- 14:24hits right now.
- 14:24It doesn't
- 14:25come up when you search for it. I see.
- 14:27I see. I see.
- 14:29But when something hits, it comes up a
- 14:30lot.
- 14:31Yeah. Yeah.
- 14:32So, that Money Tigers was started by
- 14:35Mr. Kurehara from Nippon Television and
- 14:37Mr. Horie from Hososaka, and I was on
- 14:39the show from the beginning, but
- 14:41now, for example, interesting investors
- 14:44come up a lot, but back then, they
- 14:46didn't need interesting investors, so
- 14:48they didn't
- 14:49come up on the internet at that time.
- 14:53So even if there was some content that
- 14:55would be a huge hit next year or so, it
- 14:57probably wouldn't come up now, which
- 14:59means that even AI can't think of it,
- 15:01so I
- 15:05think the profession of broadcast
- 15:06writer will definitely become
- 15:07unnecessary in the future. Yeah.
- 15:10Money is going down, and when you
- 15:12watch YouTube, you can see that if you
- 15:14can think of content,
- 15:17create it, and perform it, that's the
- 15:19best, but I think it's becoming more
- 15:20and more a genre race. Yeah. It's
- 15:23becoming
- 15:23more and more like it doesn't matter
- 15:25whether it's a performer or a defter. I
- 15:28think Mr. was the one who started that.
- 15:31But I feel like there will be more and
- 15:33more people like that, and Nishino's
- 15:35producer-like
- 15:37actions are pretty amazing, aren't they
- 15:39? But aren't there a lot of people who
- 15:41say things like, "It's annoying when
- 15:43Nishino does things like that?" But
- 15:45yeah. I
- 15:46think that's because he's so talented.
- 15:48Yeah. So in
- 15:52that sense, I think AI can't do the
- 15:54things that humans can think of right
- 15:56now, or the things that we find really
- 15:58interesting, but one thing is that when
- 16:00talented people create interesting
- 16:01things, they become really good at
- 16:03Reuters. But the job of a broadcast
- 16:11writer is really like that, and I think
- 16:13that if producers, directors, and
- 16:15performers use AI, they'll be the best.
- 16:20And I don't think they can edit things
- 16:22right now. Yeah. As far as
- 16:24I know, for example, if you take some
- 16:26footage and
- 16:28tell them to edit the footage like this
- 16:29, they won't do it.
- 16:31But I think they'll be able to do that
- 16:33in about a year. I'm sure there's a
- 16:35future where they'll be able to do it.
- 16:36And I think it'll happen surprisingly
- 16:38quickly. That's why I think it would be
- 16:41amazing if AI could also help ordinary
- 16:43people edit videos. Isn't editing the
- 16:47biggest concern for YouTubers these
- 16:49days?
- 16:49After all, YouTubers and others find
- 16:51editing a hassle, and once their videos
- 16:53become popular, they stop doing it, and
- 16:54then they end up arguing with the
- 16:56editors about how much money to share.
- 17:00That's a very common occurrence. But
- 17:03editing is really a hassle, so if AI
- 17:05were to do it, it would be another huge
- 17:07revolution. And then there's
- 17:14manga.
- 17:15Yeah.
- 17:15Manga can be written based on a certain
- 17:17proposal to some extent.
- 17:19Manga seems difficult. Manga itself can
- 17:22be written regardless of whether it's
- 17:23interesting or not. But as I mentioned
- 17:26earlier about translation, I heard that
- 17:28reading manga is extremely difficult.
- 17:31Huh? And that's
- 17:33because, for example, if Luffy punches
- 17:35someone, they'll fly 10 meters. That's
- 17:39not a theory. It's a collection of
- 17:42feelings. I think that's why
- 17:45I have the most difficulty translating
- 17:47manga. There are a lot of syllables and
- 17:50syllables.
- 17:55Yeah.
- 17:58I've heard that it's quite difficult to
- 18:00understand the words because of the
- 18:02images. That's why I can understand the
- 18:07nuances in the translation of manga and
- 18:10words. For example, when I write a
- 18:13script, there are times when the
- 18:15Japanese is strange and I wonder, "Why
- 18:16is this?" There's no reason why it's
- 18:19like this.
- 18:20Yeah. Yeah. Yeah.
- 18:21But when I put it through AI, it just
- 18:23fixes it.
- 18:23Yeah.
- 18:24Yeah. And sometimes it says, "This is
- 18:26wrong." That's what I find interesting.
- 18:31Right now, I'm probably really bad at
- 18:33understanding things that are based on
- 18:35human sensibilities, but
- 18:39I don't know if it's just a matter of
- 18:41time.
- 18:41Yeah. This is just one thing, but I
- 18:44think the job of a broadcast writer is
- 18:46going to disappear. In the past,
- 18:49broadcast writers were given more
- 18:51recognition on TV shows, but I
- 18:54think the TV station people probably
- 18:56found it a bit annoying. In
- 18:58the past, broadcast writers were listed
- 19:00first in the credits, but at
- 19:02some point, the TV station people
- 19:03started appearing in front.
- 19:05Yeah. Yeah.
- 19:06That's because the TV station people's
- 19:07desire to be witnesses has gradually
- 19:08grown stronger. I think they're
- 19:11starting to think that broadcast soccer
- 19:13is nothing. The fact that there are
- 19:16quite a few people who think that way
- 19:18means that they're going to die out. I
- 19:19see. I'll tell you the inside story.
- 19:21Oshi. Hey, why is Suzuki-san
- 19:24such a big name, but he doesn't show
- 19:26any interest at all?
- 19:27What do you mean, "he doesn't show
- 19:29interest"?
- 19:29Well, actually,
- 19:30some big names have come. Like Horiemon
- 19:32. Yeah. He's really showing interest.
- 19:34Yeah. He's a nasty guy.
- 19:36Just a little bit.
- 19:37Oh, I get it. I get it. There are
- 19:41people who do things that you wouldn't
- 19:42do to someone who's your superior, and
- 19:44I get annoyed when they do that, but
- 19:46when they do that, I have zero
- 19:50respect for them.
- 19:51I've
- 19:52become a huge fan. Yeah.
- 19:55Thank you. But even now, even though
- 19:59they said they'd stopped doing
- 20:01broadcasts, and they're currently doing
- 20:03stage plays, they still love their job
- 20:09as broadcast writers. Broadcast writers
- 20:12love their jobs, but isn't it a
- 20:14different story when they disappear?
- 20:17Yeah.
- 20:18So I think we need to be strict about
- 20:19that.
- 20:20Yeah. I think we need to show them love
- 20:22, and when
- 20:24young people, and not just young people
- 20:27, have these kinds of opinions, I think
- 20:29, "Oh, I see."
- 20:32Yeah. I think so too.
- 20:34Esa is funny and really annoying,
- 20:38but even annoying opinions stay in your
- 20:40mind. I get it.
- 20:41No, it's not. I
- 20:43think, "What the heck is this?" But
- 20:45it's true that they stay in your mind.
- 20:49That's young. Their
- 20:50ideas are
- 20:52incredibly flexible. People who have
- 20:56achieved some level of success tend to
- 20:57cling to that, or rather, they've
- 20:59always had this power, but they're also
- 21:01learning a lot of new things.
- 21:03Yeah.
- 21:04Yeah. That's
- 21:05amazing. I really don't
- 21:07know what's going to happen next year.
- 21:09For example, what are you doing? What
- 21:11do you do for work? I'm on
- 21:12YouTube and in management.
- 21:14Yeah. So, for example, next year, with
- 21:16all sorts of things happening, it could
- 21:18be the seeds of an incredibly huge
- 21:20company.
- 21:23Yeah. Yeah.
- 21:24Yeah. And then, something happens, like
- 21:27when she starts using TikTok, and it
- 21:30could go viral.
- 21:32But it really could happen.
- 21:33Yeah.
- 21:34Yeah. After all, a song by UoKushion
- 21:37from 14 years ago could suddenly go
- 21:39viral worldwide, isn't it?
- 21:42That's right.
- 21:42So what are you doing now that you're
- 21:44over 50, Igu?
- 21:45Oh, yeah, designing and stuff. But what
- 21:48you're doing now is amazing. Maybe the
- 21:52moment you decide to do something new,
- 21:54there's a non-zero chance that
- 21:55something big will happen. So I've seen
- 22:01a lot of people suddenly become
- 22:02successful in a year, or entrepreneurs,
- 22:04and they came to me with their
- 22:05computers and said, "I want to explain
- 22:07this to you." When I opened my computer
- 22:11, I
- 22:11thought it was about the business I
- 22:13wanted to run, but it said, "I want to
- 22:14be a great person." Yes.
- 22:16But,
- 22:16yes. And then, after
- 22:18starting their business, they were
- 22:20doing really well in about two years.
- 22:22Yeah. Huh.
- 22:23But people who have that kind of pain,
- 22:25yes. Right. That's what I
- 22:27said was a crazy tool, and that's
- 22:28exactly what's important.
- 22:30When you get passionate about something
- 22:32and start
- 22:33moving forward, your current situation
- 22:35can change in three months. Yeah. So
- 22:40why are there so many young people like
- 22:42that? Well, there are
- 22:44really moments when miracles happen.
- 22:47Hmm, hmm, yeah.
- 22:48I've seen
- 22:49that happen over and over again, so I
- 22:51see. Well, including in the
- 22:53entertainment industry, I think I'd
- 22:55rank pretty high in the rankings of
- 22:57miracles I've seen. So I really
- 22:59believe in miracles. I
- 23:00believe in miracles. I
- 23:02want to believe in miracles.
- 23:05That's why when I made the program, I
- 23:07said I wanted to believe in miracles,
- 23:09but that only applies to people who
- 23:10seem like they could create miracles. I
- 23:14just feel like it would be a sin for us
- 23:16not to do it for people who seem like
- 23:17they could create miracles. It might be
- 23:21interesting if I told them to say this,
- 23:23but I want to see things that I've
- 23:24never seen before. It's not about
- 23:27creating it myself, it's about the
- 23:28future of everyone here today. The
- 23:30future will actually turn out like this
- 23:32in a year, or Jaou-san will become the
- 23:35governor of Tokyo in two years. Yeah,
- 23:40whatever. It's not
- 23:43zero, though. If Otake-san does
- 23:46something from now on, her popularity
- 23:48will skyrocket again.
- 23:50But that's definitely not zero.
- 23:51Yeah. So, it's interesting and
- 23:54life-like. There was something I
- 23:56experienced a little bit in my past
- 23:57year, about what Jaou-san said. In
- 23:59January of last year, a young person
- 24:01asked me if they could make a short
- 24:03video about Otake-san. I thought it
- 24:06would be nice since I already had an
- 24:07account, so I said I wanted to do it
- 24:09for overseas. I wanted to spread the
- 24:19word about this overly positive old man
- 24:21with no arms or legs.
- 24:24Well, I also thought I'd leave it to
- 24:26the sensibilities of young people with
- 24:27Hanshin Hangi, and the one that's been
- 24:29spinning the most right now is 150
- 24:31million. 150 million is
- 24:33amazing. It's interesting to leave it
- 24:35to the red guy, and you never know
- 24:37what's going to happen in a year. And
- 24:38when I go overseas, I get approached a
- 24:40lot. They ask me if I'm on TikTok,
- 24:43TikTok.
- 24:43No, they really are. And then again,
- 24:46in Japan, we're really vulnerable to
- 24:48black ships. Everyone is attracted to
- 24:49those who produce results overseas. So
- 24:51you never know what's going to happen.
- 24:53It's a
- 24:53great learning experience. And earlier,
- 24:57the person next to me said something
- 24:58like, "The moat is empty and the pond
- 25:00is empty," but that person's humility
- 25:02comes from believing in miracles,
- 25:04whether they're young or not. Stop
- 25:07hating Horie.
- 25:10Just listen to me. I
- 25:13said earlier that I only believe in
- 25:14miracles in people who can make
- 25:16miracles happen. I'd like to hear how
- 25:20you distinguish between those who seem
- 25:22like they could perform miracles and
- 25:24those who are just kids, who don't seem
- 25:26like they could.
- 25:29When
- 25:33SMAP disbanded, I lost my adrenaline.
- 25:36Oh,
- 25:38and they really did perform many
- 25:40miracles.
- 25:42Yeah. Yeah.
- 25:43For example, the most surprising thing
- 25:44was when they did the 27-hour TV
- 25:45program and they were supposed to
- 25:46perform a live show in front of 5,000
- 25:47people at the end, but they said they
- 25:49couldn't because of a typhoon. Yeah.
- 25:50Three hours before the show, the
- 25:52typhoon passed. I see. And they
- 25:54said they couldn't do the research
- 25:56volunteer work either,
- 25:57but they did. But we didn't
- 26:01give up until the very end. I think
- 26:04everyone's feelings were heard, but
- 26:05there were also times when they
- 26:08decided to quit right away. But no, I
- 26:12guess that part of believing until the
- 26:14end fits that picture.
- 26:18I see. That's right. Yeah.
- 26:20When Bad Hop disbanded and I offered to
- 26:23give him 10 million yen, T Pablo lost
- 26:25money gambling in Korea and wanted to
- 26:27go again, so I withdrew 1 million yen
- 26:29from my pocket and gave it to him.
- 26:32But he
- 26:33really did come back with 10 million
- 26:35yen.
- 26:36I see. So why is it? Maybe it's because
- 26:38I get excited about it.
- 26:40Yeah. In the person? In what they do?
- 26:42Which is it? It might be in what they
- 26:45do, but I also get excited when I give
- 26:47them 1 million yen or when I hear that
- 26:49a typhoon is coming and it might not.
- 26:54Maybe I invest because I like phenomena
- 26:57, including people's images. Yeah.
- 27:00That's
- 27:00true. To be
- 27:02honest, I used to underestimate
- 27:03broadcast writers. This is a really
- 27:05rude thing to say. I get it, I get it.
- 27:07They're people who get looked down on.
- 27:09Because
- 27:09unpopular comedians always lose. That's
- 27:13why I underestimated
- 27:14broadcast writers, so I'd like to
- 27:16apologize on behalf of everyone. I'm
- 27:19sorry.
- 27:20Why doesn't everyone think so?
- 27:22Sorry. Yes.
- 27:23So, Mr. Noguchi, what did you think of
- 27:25the various things we discussed with
- 27:27everyone?
- 27:28Today's topic at the Japan Future
- 27:30Conference is this. Solve the shortage
- 27:33of call center workers with AI. There's
- 27:36no way that current AI technology can
- 27:38handle the complexities of call center
- 27:40operations. It
- 27:41can't. We don't need that at all.
- 27:43I'll handle everything. Don't make a
- 27:45mistake.
- 27:46Mr. Noguchi, please give the final vote
- 27:49.
- 27:49Approved.
- 27:50Yes.
- 27:50Yes,
- 27:51Callways can solve both the technical
- 27:53issues and the need for determination.
- 27:55Really.
- 27:55Wow. If you want to use AI to
- 28:01handle phone calls, click here for
- 28:03Callways. Search for more information
- 28:09on Callways.
- 28:10Mr. Noguchi, what did you think of the
- 28:12various things we discussed with
- 28:14everyone? The path you've walked is
- 28:16truly amazing. It's really interesting
- 28:19how well you can put things into words,
- 28:21and the details are so deep. I think
- 28:24people who are really into that kind of
- 28:26thing tend to have really heavy words.
- 28:30By the way, if we're just talking about
- 28:32this topic, I'm not really sure what
- 28:34the answer was, but I guess it's still
- 28:36a crazy tool. It can be replaced by AI,
- 28:40but the
- 28:41good thing about it is that it's
- 28:42genre-less. Yeah. Yeah. So writing will
- 28:44disappear and most of it will remain
- 28:46the same, but probably jobs up to
- 28:48around 60 in the standard deviation can
- 28:50be done by AI, but all
- 28:52writing is fine, so the job of
- 28:53broadcast writer will be done by AI,
- 28:56but I think the
- 28:58crazy tool that broadcast writers have
- 29:00will not lose to AI. Right now, it's
- 29:04all genres. People who have a
- 29:06competition, and AI will create the
- 29:08common sense part here, and if you use
- 29:10that crazy tool to make it interesting,
- 29:12you can get something that gets 75
- 29:14points. That's AI's specialty,
- 29:16including music.
- 29:17Yeah. Right.
- 29:18Yeah. But for things that get 101 or
- 29:20120 points, you know, when you
- 29:23really feel like a stalker and you play
- 29:25the song that you're performing, right?
- 29:28Yeah, yeah, yeah. Yeah. So that's
- 29:31exactly madness.
- 29:32The Japan Future Conference said that
- 29:33what was missing was madness. It's
- 29:34madness.
- 29:35It's Nobu's competition. I
- 29:37can't do it alone.
- 29:38Well, us.
- 29:39Ours,
- 29:39or maybe Mr. Sake. If there are any
- 29:44viewers who are parents listening to me
- 29:46today, I would like to convey this
- 29:47message to them. I think it's easy to
- 29:52feel anxious when your child deviates
- 29:54greatly from everyone else. You may
- 29:58want them to be the same as everyone
- 30:00else, and you may want them to be the
- 30:01same, but I think that approach is
- 30:03probably a value policy from an era
- 30:05before AI. I think you've understood
- 30:09this after listening to me today, but
- 30:11since A will do everything that
- 30:12everyone else does, I think we're
- 30:14entering an era where those who can
- 30:15create something different will survive
- 30:22. So if you think you want to be
- 30:24different, I think it might be better
- 30:25to stay different and give it a try.
- 30:27That's what I wanted to convey. That's
- 30:31a good idea. Oh, that's right. So, we
- 30:35welcomed Suzuki-san, and we've
- 30:37delivered this over two weeks. Thank
- 30:39you for today, Mr. Sake. Thank you very
- 30:41much.
- 30:41Now, everyone, please give this video a
- 30:43thumbs up and
- 30:44subscribe to the channel. Goodbye.
- 30:48Everyone, please listen. The number of
- 30:51subscribers to the Japan Future
- 30:53Conference channel has surpassed 25,000
- 30:55.
- 30:56Amazing. Amazing.
- 31:00And thanks to you, we've seen an
- 31:02increase of 10,000 in just the last 28
- 31:04days, which is amazing, but only
- 31:107%of people are actually subscribing to
- 31:12the channel and watching.
- 31:14Huh? That's so few?
- 31:15Yeah. Isn't that
- 31:16terrible? Please subscribe to the
- 31:19channel and give it a thumbs up.
- 31:21Please. Let's get to
- 31:22100,000. Let's start a political party
- 31:26that will reform Japan using the
- 31:28salaries of local assembly members.
- 31:29Local assembly members are unnecessary,
- 31:31so we don't need those kinds of people.
- 31:33That's
- 31:3310 million yen per person. That means
- 31:36100 people will earn 1 billion yen in a
- 31:38year. We can use that money to
- 31:41revitalize local areas.
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