8 Disturbing Paranormal Police Encounters No One Can Explain — Transcript
Full transcript
- 0:00These are eight times officers caught
- 0:02something on their body cams that nobody
- 0:04can explain
- 0:05>> [music]
- 0:05>> and the more you look at the footage the
- 0:07less any of it starts to make sense.
- 0:13Case one, the voicemails. On the morning
- 0:16of March 11th, 2026,
- 0:19a man in Florida walks up to a police
- 0:21officer in a parking lot with his phone
- 0:23already in his hand.
- 0:25>> Hey.
- 0:26>> Um, I'm just wanting to document
- 0:27everything that's going on. So, I'm I'm
- 0:29calling them up. This is from last
- 0:31night. Did you you saw the the email I
- 0:33sent you? So, I don't know if you want
- 0:35to go through these again, but I don't
- 0:37know if you listened to them they're
- 0:38[ __ ] scary.
- 0:39>> What? What is going Clearly something's
- 0:41going on with her. Like that that's not
- 0:43normal behavior.
- 0:45>> How you make your voice sound like that?
- 0:47>> Right.
- 0:47>> He isn't there to report a crime against
- 0:49himself. He just wants everything
- 0:52documented on the record because of what
- 0:54he woke up to the night before.
- 0:56>> Okay, so you had them last night when
- 0:58these voicemails were coming in?
- 1:00>> And I saw them this morning, yeah. This
- 1:02morning. And that is scary. Like that
- 1:04gave me chills the first few times.
- 1:06I don't know how scared I have to
- 1:07actually be.
- 1:08>> It just that doesn't sound like she's in
- 1:10her right state of mind at all.
- 1:12>> In the space of a single hour, his
- 1:14ex-wife had called him 17 times and left
- 1:18nine voicemails. The two of them were
- 1:20married for years and the kids they
- 1:22share are the only reason he still has
- 1:24any contact with her at all.
- 1:26He's moved on. He has a new partner and
- 1:29a new life. But when he starts playing
- 1:31the voicemails back for the officer, the
- 1:34sound coming out of the phone doesn't
- 1:36land like a message at all.
- 1:37>> Do me a favor and play them.
- 1:52Play the other one.
- 1:53>> Okay, we're up to second one here.
- 2:05>> That was 145. This is 146.
- 2:16>> [clears throat]
- 2:28>> 147
- 2:38>> [screaming]
- 2:49>> 147
- 2:51149
- 3:08It's screaming, crying, a voice begging
- 3:11for help and saying that someone has
- 3:13been killed, twisted and stretched until
- 3:16there's barely anything human left in
- 3:18it.
- 3:21>> [screaming]
- 3:26[screaming]
- 3:32>> It's 150.
- 3:47>> [screaming]
- 3:53>> 151
- 3:57>> [screaming]
- 4:04>> 152
- 4:09>> [screaming]
- 4:18[screaming]
- 4:23[screaming]
- 4:24>> Uh 152
- 4:27This is 154.
- 4:33>> [screaming]
- 4:39[screaming]
- 4:44[screaming]
- 4:47>> The officer goes quiet while it plays.
- 4:50Then he asks the man more than once if
- 4:53he's completely certain that voice
- 4:54belongs to his ex-wife. [music]
- 4:57He says he's certain.
- 4:58Nobody else has that number and nobody
- 5:01else is calling him.
- 5:02But the part that clearly frightens him
- 5:04most isn't the screaming itself.
- 5:07It's what he can hear buried underneath
- 5:09it.
- 5:10His kids are sometimes with her when
- 5:12these calls come in and he admits he
- 5:14can't always tell whether he's listening
- 5:16to his ex-wife on that recording or his
- 5:18own daughter.
- 5:20Later that day, the officer drives out
- 5:22to her house to check on her.
- 5:24According to the report, she had already
- 5:26gone back and deleted some of her calls
- 5:28from that night.
- 5:30She grew agitated the second the
- 5:31officers arrived and she was arrested
- 5:34for obscene communication, a form of
- 5:36stalking, with a court date set for
- 5:39early May. When the footage was uploaded
- 5:41online, the comment section landed on
- 5:43the same word over and over, demonic.
- 5:47Thousands of people were convinced the
- 5:48voice wasn't a woman having a breakdown
- 5:50at all, but something that had gotten
- 5:52inside her and started speaking through
- 5:54her.
- 5:55There's no way to prove a thing like
- 5:56that, obviously,
- 5:58and there's nothing on the recording
- 5:59that cleanly rules it out, either.
- 6:02What you're left with is a custody
- 6:03dispute, a visit from the police, and
- 6:06nine voicemails that most people can't
- 6:08make it through to the end. Case two,
- 6:11the old Liberty High School.
- 6:14Two brothers run a channel where they
- 6:16spend their nights inside abandoned
- 6:18buildings, calling out to whatever they
- 6:20think might still be inside.
- 6:22>> Yeah, guys, we're going to be
- 6:23approaching tonight the Liberty High
- 6:26School. Never been investigated before.
- 6:28Never. Never ever. It's in Ohio, bro.
- 6:30I'm really nervous for this school in
- 6:32particular due to the unknown amount of
- 6:34history.
- 6:35>> In the summer of 2024, they picked a
- 6:38place almost nobody had ever
- 6:40investigated, the old Liberty High
- 6:42School in Ohio.
- 6:44It's a huge four-story building sitting
- 6:46all alone in the middle of farmland.
- 6:49There's almost no history left about the
- 6:51school, which is part of what drew them
- 6:53to it.
- 6:54Most of the records are gone.
- 6:56The little that survived is grim.
- 6:59>> At Liberty High School, it is documented
- 7:01that the staff would use a method called
- 7:03the sin box, an extremely small room
- 7:06designed to mimic the effects of a
- 7:08solitary confinement cell. So, these
- 7:11children being placed in solitary
- 7:13confinement rooms
- 7:14>> During school, bro?
- 7:16>> No.
- 7:16>> During school. That would piss me off
- 7:18and make me miserable. And imagine the
- 7:20energy that's locked into this place,
- 7:22dude. If a child misbehaved, the staff
- 7:24would shove children inside a tiny room
- 7:27overlooking the gymnasium and would even
- 7:29put a board alongside the open wall,
- 7:31shrouding the room in complete darkness.
- 7:35Imagine you're stuck all day in like a
- 7:37few feet by few feet room, and all you
- 7:40can do is just think about what you did.
- 7:42>> Back when the school was still open, the
- 7:44staff used to punish kids with something
- 7:46they called the sin box, a tiny room
- 7:49built above the gymnasium that was so
- 7:50small a grown man can touch both walls
- 7:53at once. If a child misbehaved, they'd
- 7:56be locked inside it and a board would be
- 7:58slid across the open side to seal them
- 8:00in complete darkness for the rest of the
- 8:02school day.
- 8:04The brothers read all of this out loud
- 8:05before going in.
- 8:07>> Oh.
- 8:07>> I'm so nervous.
- 8:08>> Oh my god, dude.
- 8:10>> At night, this thing is terrifying, bro.
- 8:12>> Look at that.
- 8:14>> Oh my god.
- 8:16>> Dude, this is going to be terrifying,
- 8:17man. Let's go into the Liberty School.
- 8:28Is there anybody here?
- 8:30Any spirits, children, teachers,
- 8:32principals,
- 8:34janitors?
- 8:36We're here to talk to you tonight.
- 8:38Don't be scared of us.
- 8:40Feel free to make any kind of noises as
- 8:41you want.
- 8:45Hello?
- 8:48Holy woah.
- 8:51Did something just get thrown, dog? You
- 8:52want
- 8:56Can you walk towards us?
- 9:00Woah, bat.
- 9:01>> Where you going, dude?
- 9:03>> What the hell was that?
- 9:04>> It's a bat, I think.
- 9:05>> It is a bat. Oh.
- 9:07>> Oh, no. This isn't good.
- 9:08>> No, this is not good.
- 9:09>> This isn't good.
- 9:11Oh, crap.
- 9:12>> Hey, bat.
- 9:15Hello.
- 9:16>> Hey, mister.
- 9:17It's right there, you see it?
- 9:19>> Is that your bat? Mr. Bird? Okay, it's a
- 9:20dove.
- 9:21>> it's a dove, pigeon.
- 9:23>> It's a pigeon.
- 9:25>> We got [laughter] him.
- 9:26>> Hey, buddy.
- 9:27>> All right. Keep exploring, bro. Let's
- 9:28work our way down.
- 9:31>> We are on the same floor as the sin box.
- 9:32>> Oh, dude, the sin box.
- 9:33>> Right here.
- 9:34>> Dude, so this is the box. It's basically
- 9:37the press box for the gymnasium.
- 9:39They actually lock kids who misbehave in
- 9:42this box.
- 9:45>> Standing outside while the sun sets, and
- 9:48one of them says what everyone watching
- 9:49is already thinking.
- 9:51That a place like that holds on to
- 9:53whatever happened inside it.
- 9:55They head in as it gets dark, and for a
- 9:58while it's the usual stuff.
- 10:00Empty rooms, flashlights, equipment that
- 10:03beeps for no clear reason.
- 10:05At one point, a pigeon flies out of the
- 10:07dark and scares them so badly one of
- 10:10them almost runs. And then their devices
- 10:13start answering back.
- 10:15>> Woah.
- 10:23Such an eerie feeling. I don't like it.
- 10:26>> I don't either.
- 10:27>> Should we keep walking, dude?
- 10:28>> Yeah, let's just keep walking.
- 10:35>> Okay.
- 10:37>> What?
- 10:38>> I hope that was a bat cleared out there,
- 10:40but I 100%
- 10:44100% saw a black ball just go across the
- 10:48middle of that hallway. Yes, dude.
- 10:49>> go check it out.
- 10:50>> Anyone down here with us?
- 10:52We're here to communicate.
- 10:58>> What is that?
- 10:59>> What is that?
- 11:01>> It's a raven.
- 11:03Shh, be careful.
- 11:21>> Dude.
- 11:25Shh.
- 11:29It sounded like it was blowing up up up
- 11:30up up.
- 11:31That was blowing up.
- 11:33>> Sounds in the running footsteps.
- 11:34>> explain like 10 running footsteps?
- 11:36>> No.
- 11:38Let's since we're getting a ton of weird
- 11:40things right here, let's just set up in
- 11:42the middle and put gear all around us
- 11:43and see what happens.
- 11:44>> All right, so now we're sitting on the
- 11:45third floor hallway.
- 11:46The REM pod just went nuts. So now it's
- 11:48time to see
- 11:50exactly what is up here with us right
- 11:51now. Can you go like that, bro, again?
- 11:53>> Yeah, let me take my bag off.
- 11:55>> Three,
- 11:57two,
- 11:58one.
- 12:01>> It's a different vibe.
- 12:02>> Yeah, it's horrible.
- 12:03>> So guys, look at Noah's camera. That is
- 12:04what we're seeing right now.
- 12:11Can you touch that REM pod again, that
- 12:12red light?
- 12:16Touch one of our pieces of equipment.
- 12:20Huh?
- 12:23Dude.
- 12:28Bro, what the hell was that?
- 12:29>> a ball of light run in front of me.
- 12:30>> No way.
- 12:31>> Yeah, it was like it looked like a
- 12:33freaking like
- 12:35like a plasma.
- 12:37>> Dude, what was that bang?
- 12:38>> I don't know. That was loud.
- 12:48I just heard a kid go, "Hey."
- 12:50>> Yeah, IT WAS LIKE
- 12:51>> OH MY GOD.
- 12:56>> BACK AWAY IF WE HEARD YOUR VOICE.
- 13:01Was that someone else?
- 13:07Can you touch that again?
- 13:10Dude, right when you heard the kid's
- 13:12voice.
- 13:13>> What is happening, man?
- 13:14>> I don't know.
- 13:15But that was a clear voice.
- 13:17>> Yeah, it was like
- 13:18>> Hey.
- 13:18>> It was like a hey. I heard like weird.
- 13:21And then the freaking REM pod went off
- 13:22detecting an energy surge.
- 13:25>> In the old locker room, a spirit box
- 13:27begins pulling single words out of the
- 13:29static. When one of the brothers asks
- 13:32how someone ended up here, the box says
- 13:34stranded. When he asks what happened, it
- 13:37says homicide and then it says homicide
- 13:39again. A motion sensor their own father
- 13:42built for them, meant to light up when
- 13:44something crosses in front of it,
- 13:46suddenly goes off with nothing there,
- 13:48and then dies completely at the exact
- 13:50same second as their camera and two
- 13:52other devices,
- 13:53>> [music]
- 13:54>> as if something in that room needed the
- 13:55power more than they did. Down in the
- 13:58basement, it doesn't stop. One of them
- 14:01feels something touch his leg when
- 14:03there's nothing there. Footsteps that
- 14:05aren't theirs can be heard coming from
- 14:07floors they know are empty.
- 14:17>> OH MY GOD, JAKE!
- 14:19>> WAS THAT INSIDE?
- 14:21>> YEAH.
- 14:22>> SHH.
- 14:23Get down here now.
- 14:25Now get down here, dude.
- 14:26>> No, you come with me, bro.
- 14:28That was on my level.
- 14:29>> Call the cops on my phone now. Call the
- 14:31cops.
- 14:32Call the [ __ ] cops.
- 14:40Call the [ __ ] cops.
- 14:43Let's get down. Turn the lights off.
- 14:48>> 911, what is your emergency?
- 14:50>> And at the old Waverly High School,
- 14:52there's shots fired. Please come here
- 14:53quick.
- 14:54>> Okay, sir. What is your name?
- 14:56Are you guys under attack right now,
- 14:58fighting?
- 14:59>> Kind of, but not really.
- 15:03>> Okay.
- 15:04And what can you actually hear?
- 15:06>> I just hear them. I heard them mess with
- 15:08the door.
- 15:11>> And then, standing in the cellar, one of
- 15:13the brothers hears what he's certain are
- 15:15gunshots outside, seven of them, close,
- 15:19somewhere in the parking lot. He runs to
- 15:22find his brother. They hear something
- 15:24rattling the one door in the building
- 15:25that actually locks, and they do the
- 15:27only thing that makes sense. They call
- 15:29the police.
- 15:31This is where it stops being a normal
- 15:32ghost hunt.
- 15:36>> No, we just heard the gunshots right
- 15:37outside and I ran up here.
- 15:39And then we hear them entering. It
- 15:40sounds like it outside by the north
- 15:43side.
- 15:48Okay.
- 16:15Thank you.
- 16:19We're going over here.
- 16:19>> Do you have anything at all?
- 16:20>> No, we have nothing.
- 16:21>> Are you the callers?
- 16:22>> Yes, yeah, we are.
- 16:24>> So, what happened?
- 16:25>> Well, we're in
- 16:27we're in here uh
- 16:28filming a ghost video of all things, and
- 16:31I was kind of standing down here in the
- 16:33cellar, and it sounded like it had to
- 16:35have been like in this parking lot just
- 16:36like seven shots. So, I ran up to him
- 16:39uh where he was up in the gymnasium, and
- 16:42we just heard like rattling on the door,
- 16:44and that's when we were like, "Yeah, we
- 16:44should probably call."
- 16:45>> The gunshots were all here. The the uh
- 16:48rattling on the door and the footsteps
- 16:49were in the gymnasium, which is right
- 16:50over here.
- 16:54>> Sheriff's office, whoever you are, make
- 16:56yourself known.
- 16:58>> We're over here like on I heard on that
- 16:59stair.
- 17:00>> the
- 17:01noises like I don't know cuz I was in
- 17:02the damn box, so I didn't
- 17:03>> You you didn't hear the noises like the
- 17:05gunshots?
- 17:05>> No, like that's why I screamed.
- 17:11>> JACK!
- 17:12>> WE WERE LITERALLY IN THAT WINDOW DOING
- 17:13AN EVP SESSION, and And were right here.
- 17:19>> Oh my god.
- 18:29There's nobody in there to prove
- 18:30something in there.
- 18:32>> Are you serious?
- 18:33>> For real.
- 18:33>> Oh, yeah.
- 18:35>> Like what do you mean?
- 18:37>> Like
- 18:38>> What?
- 18:38>> Let me just go.
- 18:40>> For real.
- 18:41>> So, right there on the second floor.
- 18:43>> Yes.
- 18:43>> We were looking this way.
- 18:45>> Oh, I heard pitter-patter like like that
- 18:49along the What would that be? The east
- 18:51wall?
- 18:51>> Yeah.
- 18:52>> And then he hears it at the end of the
- 18:54hallway and as I'm taking my light down
- 18:56I see something go like dark across the
- 18:58>> Are you Are you guys dead ass?
- 18:59[clears throat]
- 18:59>> Swear.
- 18:59>> Do you have body cams?
- 19:00>> No.
- 19:01>> But we were we were talking about you
- 19:02guys. We were like
- 19:03>> Let's just black out for a second.
- 19:05So, we went completely black in there
- 19:08and all of a sudden we heard
- 19:09>> Yeah.
- 19:10>> movement behind us and we just
- 19:11>> ran.
- 19:11>> For real Cuz there's nobody in there.
- 19:13>> The officers arrive and clear the
- 19:15building like there's a real intruder
- 19:16inside. Because as far as they know,
- 19:19someone just fired seven shots and tried
- 19:21to force a door. But they find nothing.
- 19:24No shell casings, no shooter, no other
- 19:27footprints in the dust. The brothers
- 19:30explain what they were doing in there
- 19:31and the cops take it surprisingly well.
- 19:34Then, while they're all still inside,
- 19:36the officers go quiet. One of them says
- 19:39he heard footsteps moving along a wall
- 19:41on the second floor. Soft and quick
- 19:43heading toward the end of a hallway. As
- 19:45he lowers his flashlight toward the
- 19:47sound, he watches something at the far
- 19:49end of the hall go dark. Like a shape
- 19:52stepping out of his light. He asks the
- 19:54brothers, more than once, if they're
- 19:56absolutely sure there's nobody else in
- 19:58the building. They tell him no. There's
- 20:01no one else in there. After that, the
- 20:03officers leave. Not slowly and not to go
- 20:06write up a report, but quickly, telling
- 20:09the brothers that if they hear anything
- 20:10else, they better hope it turns out to
- 20:12be a real person. And then wishing them
- 20:15good luck on the way out. Whatever fired
- 20:17those shots was never found. No suspect,
- 20:20no shell casings, no explanation for the
- 20:23seven bangs picked up on the brothers'
- 20:25own audio. What's left on camera is two
- 20:27trained police officers walking into a
- 20:29building expecting an armed man, finding
- 20:32nothing they could arrest, and choosing
- 20:34to walk right back out into the dark
- 20:36instead of staying to figure out what
- 20:37they'd just seen. Case three.
- 20:40>> A mausoleum.
- 20:42>> Some places stay with a person because
- 20:44of who they belong to.
- 20:46For a paranormal investigator named
- 20:48Terry, the building she walked into in
- 20:50May of 2022 belonged to Josh, her
- 20:53partner,
- 20:54who had spent years working there as a
- 20:56night security guard before he finally
- 20:59stopped going back.
- 21:00>> What's going on, guys? Got a special
- 21:02treat for you. Terry's going to be all
- 21:04right. Yeah, we're doing this solo. You
- 21:06guys enjoy what's about to come.
- 21:08>> She went in alone. No team, no spirit
- 21:11box, just a flashlight and a camera with
- 21:15Josh watching the live video from
- 21:16outside.
- 21:17>> Okay, so out of all the I'm not going to
- 21:20talk, you guys. I'm going to be quiet.
- 21:21Out of all the places I have ever been
- 21:23to and investigated,
- 21:26this is um
- 21:28the
- 21:29the creepiest place.
- 21:32This place had the most uh
- 21:34>> [sighs]
- 21:35>> feeling to it is what uh I can explain
- 21:39to you.
- 21:40Uh [sighs and gasps]
- 21:42that's all I'm going to say it. What the
- 21:44hell is this? Okay, I'm going to be
- 21:46quiet now and here we go.
- 21:51>> She's been inside a lot of scary
- 21:52buildings over the years, but she says
- 21:55this one felt worse than anywhere she'd
- 21:57ever been. And she says it before
- 21:59anything even happens in the voice
- 22:01people use when they already know they
- 22:03shouldn't have come.
- 22:05>> Does that look like somebody's standing
- 22:06there?
- 22:08Go straight.
- 22:11So you come down, I will see the chapel
- 22:12on my left.
- 22:15Okay, yeah, go straight.
- 22:19>> The first thing that's wrong is small.
- 22:21There's a light on somewhere inside the
- 22:23building and when she finds the switch
- 22:25that's supposed to control it, the
- 22:27switch is off.
- 22:28She stops for a second to work out what
- 22:30that means,
- 22:31then decides she doesn't want to.
- 22:34>> Oh.
- 22:35Pardon my French, but mother effer.
- 22:39Holy [ __ ]
- 22:42This is it, you guys.
- 22:47It is locked.
- 22:48Josh, can you please you're not helping
- 22:51me here.
- 22:52Oh my god. This is scary as it is.
- 22:56[ __ ]
- 22:57Oh my god.
- 23:04I don't see any steps.
- 23:08Is there anybody here?
- 23:12Is there anybody here?
- 23:14Can you give me a sign?
- 23:16Well, there is a light switch,
- 23:18but the switch is off.
- 23:20>> And keeps walking deeper inside.
- 23:22She gets lost almost right away.
- 23:25The place twists back on itself with
- 23:27doors already hanging open that she
- 23:29doesn't want to touch. And somewhere in
- 23:31the dark, a woman can be heard
- 23:33screaming.
- 23:34It isn't faint, and it isn't far enough
- 23:36away to ignore.
- 23:38She calls out to Josh through the camera
- 23:40and asks if he heard it, too.
- 23:42He did.
- 23:43Watching from outside on a feed with its
- 23:45own delay, he heard the same scream she
- 23:47did.
- 23:49>> Of course, the door is wide open.
- 23:51>> [sighs]
- 23:52>> [ __ ]
- 23:54Yeah.
- 23:55Okay, Josh.
- 23:57Did you hear that?
- 23:59I swear to god, I heard a woman's voice.
- 24:03Is there somebody in here?
- 24:06Hello.
- 24:09How do you feel that Josh isn't
- 24:11patrolling here anymore?
- 24:14The door was open. Both doors were open.
- 24:17So, I don't want to open and close
- 24:20any doors.
- 24:22Who's here?
- 24:25I was really going to head through those
- 24:26doors.
- 24:29>> [sighs and gasps]
- 24:30>> Is anybody here?
- 24:34Is a little boy or girl here?
- 24:40Do you miss Josh not coming around?
- 24:43Okay.
- 24:46Okay, Josh, where do I Where do I go?
- 24:50Down the stairs and to the right? I
- 24:51don't know what the hell.
- 24:53That's where the woman was screaming at.
- 24:55Yeah, I heard this a woman screaming.
- 24:57Where do I go?
- 25:00Is anyone in here?
- 25:02Security.
- 25:15I just heard something behind me.
- 25:18Where do I go?
- 25:20Where do you want me to go, babe?
- 25:22This is messed up.
- 25:24Oh my god.
- 25:27Holy [sighs] [ __ ]
- 25:30Sorry, you guys, for my language, but if
- 25:32you knew how it felt.
- 25:34Who's in there?
- 25:37>> After that, she stops talking to the
- 25:39camera [music] and starts talking to the
- 25:41building. Is anyone here?
- 25:44Are you lost? What do you want?
- 25:46At the end of one long hallway, a figure
- 25:49can be seen standing perfectly still.
- 25:52Too far away to make out a face.
- 25:54Close enough that she doesn't wait
- 25:56around to see one.
- 25:57She notices light coming from a room
- 25:59that should be empty.
- 26:01She hears something move behind her in a
- 26:03hallway she already walked through.
- 26:05By the time she finds her way out, she's
- 26:08soaked in sweat and shaking so hard she
- 26:10can barely talk.
- 26:12>> Who are you?
- 26:14Are you lost?
- 26:16I heard something.
- 26:19Are you lost?
- 26:21What do you want?
- 26:24I just seen a light coming from
- 26:25somewhere.
- 26:30Kate.
- 26:32I'm lost. You're going to have to help
- 26:33guide me back cuz I don't know where the
- 26:34[ __ ] I am.
- 26:37Forgive my language, you guys. This is
- 26:40If you knew how this [ __ ] felt.
- 26:43Okay, I think I know where I am now.
- 26:46>> [snorts]
- 26:46>> Oh, [ __ ]
- 26:48Oh my god.
- 26:49Look like there's something standing
- 26:51there.
- 26:52What the hell's going on? What happened?
- 26:54>> know. The [ __ ] dog was barking and
- 26:55growling at something.
- 26:57It wasn't the [ __ ] sirens. And then I
- 26:59kept [ __ ] on the live I kept hearing
- 27:01[ __ ] Suzy who was coming up there I
- 27:02heard a woman
- 27:03>> Yes, me too.
- 27:04>> [ __ ] screaming things. And yes, I was
- 27:06telling in the lights that [ __ ]
- 27:07>> hear I didn't hear a yes, but I heard
- 27:09that woman screaming. The only reason I
- 27:11started getting huff and puff was you're
- 27:12like, "Get out of there. Get out of
- 27:13there now." I thought the cops were
- 27:15coming.
- 27:16>> No.
- 27:17>> [ __ ]
- 27:17>> The thing that finally broke her wasn't
- 27:19the figure. It was Josh's voice in her
- 27:22ear telling her to get out. Get out now.
- 27:25Which in the moment she thought meant
- 27:27the police were on their way.
- 27:29There were no police. It was just the
- 27:31two of [music] them.
- 27:32One inside and one watching from the
- 27:34car. Both hearing the same woman scream
- 27:37in a building where no woman should have
- 27:38been. Nobody knows who was screaming
- 27:41that night.
- 27:42Nobody knows what was standing at the
- 27:44end of that hallway. Or why a light was
- 27:46on in a room with the switch turned off.
- 27:49Josh worked that place alone night after
- 27:51night for years.
- 27:53After watching Terry fall apart in there
- 27:55in a single visit he finally understood
- 27:58why it never really left him. Case four,
- 28:01the kitchen.
- 28:02This next one is short and it's over
- 28:05almost before it starts. Which is
- 28:07exactly what makes it stick.
- 28:55>> The police were called out to a house
- 28:57during a night party. The kind of call
- 28:59that's usually nothing. A noise
- 29:01complaint that ends with everyone going
- 29:03home.
- 29:09What?
- 29:25What?
- 29:35In the footage, the officers can be seen
- 29:38moving through the house slowly. And
- 29:40even before anything happens, something
- 29:42about the place feels off.
- 29:45One of the officers seems to feel it,
- 29:46too. Moving carefully without really
- 29:49knowing why.
- 29:50Then he steps toward the kitchen. And in
- 29:52that same second, the entire rack over
- 29:55the counter comes down. Nobody is
- 29:57standing near it. No hand anywhere
- 30:00close. And the timing is what people
- 30:02can't get past. The exact moment he
- 30:05crossed into that room. Like something
- 30:07in there had been waiting for him to
- 30:08come close enough. Whatever pulled it
- 30:11loose never enters the frame. Case five.
- 30:15Room 209.
- 30:16September 14th, 2003.
- 30:19Started out as a completely normal day
- 30:22at the hotel until the front desk
- 30:24started getting complaints about
- 30:25screaming coming from room 209.
- 30:37>> What room is that?
- 30:38>> That's That's the room
- 30:40right back there.
- 30:41Uh it should be 209.
- 30:44>> John, do you copy?
- 30:47It's room 209. Amy says no one's checked
- 30:49into that room.
- 30:50And there's reports of screaming coming
- 30:52from that room.
- 30:54Amy, he's on his way down there right
- 30:56now.
- 31:04What's going on, John?
- 31:09>> The strange part was that room 209 was
- 31:11empty. Nobody had checked into it. So,
- 31:13the manager did what anyone running a
- 31:15hotel would do and sent a security guard
- 31:18named John up to the second floor to see
- 31:20what was going on. While a woman named
- 31:22Amy stayed on the radio to pass messages
- 31:25back and forth between them.
- 31:32>> There's no one checked into that room.
- 31:34There should be nobody in there.
- 31:37Uh
- 31:38wait 1 second, John. Amy, are you there?
- 31:41Yeah, John John says he hears the
- 31:43screaming coming from that room.
- 31:45And I hear it, too.
- 31:48But
- 31:49but we're pretty sure that no one's
- 31:50checked into that room.
- 31:51>> That's correct.
- 31:54>> Uh John, just wait.
- 31:56We're going to get a hold of the police.
- 31:58So.
- 31:59>> Amy tells John that nobody's registered
- 32:01in 209, that there shouldn't be a single
- 32:03person in there. John goes up anyway. A
- 32:06moment later, he gets back on the radio
- 32:08and says he can hear the screaming now,
- 32:10too, coming from inside the empty room.
- 32:13And Amy confirms she can hear it through
- 32:15his microphone.
- 32:17They're told to wait for the police.
- 32:19But John doesn't [music] wait.
- 32:21If someone's being hurt on the other
- 32:23side of that door, waiting could get
- 32:25them killed. So, he goes in.
- 32:28>> Just I would wait for the police, John.
- 32:34Amy, John's John's going to enter the
- 32:35room real quick just to check, make
- 32:37sure,
- 32:38see what's going on.
- 32:40We want
- 32:49John.
- 32:55John, are you there?
- 32:59Okay, Amy, and John wants you to call
- 33:01the police right now if you don't mind.
- 33:04Uh he said no one's in there, uh but
- 33:07that all of the furniture has been
- 33:08turned upside down, and the and the Hold
- 33:11on.
- 33:12He says the carpet has been ripped up,
- 33:14and the the shower is on,
- 33:17but nobody's in there.
- 33:20>> For a few seconds, there's nothing.
- 33:22Then his voice comes back on the radio,
- 33:24and it's changed. He tells Amy to call
- 33:27the police right now. He says there's no
- 33:29one inside, but the furniture has been
- 33:31flipped completely upside down.
- 33:33The carpet has been ripped up off the
- 33:35floor. The shower is running in an empty
- 33:38bathroom, and there's nobody in there
- 33:40who could have done any of it.
- 33:42As John steps into the wrecked room that
- 33:44was locked and empty, something
- 33:46described only as a white shape can be
- 33:48seen leaving it. Some people who've
- 33:50watched the footage swear it was a
- 33:52single figure. Others are just as sure
- 33:54there was more than one.
- 33:56>> Man, that's that's scary.
- 33:59I'm uh personally freaked out now.
- 34:16>> Over the years, the hotel got other
- 34:18reports of strange sounds tied to that
- 34:20same room from guests who never stayed
- 34:23in it, and staff who worked nearby. But
- 34:26this one recording, a security guard
- 34:28walking into a locked empty room that
- 34:30had been torn apart from the inside
- 34:32while it screamed is the only piece of
- 34:34it that was ever caught on tape.
- 34:36Amy's last words on the radio were that
- 34:38she was officially freaked out. John
- 34:41never explained what turned that room
- 34:43over, and nobody has since. Case six,
- 34:47the man who kept getting up.
- 34:49On March 16th, 2023, the police were
- 34:52called out to a house after a report
- 34:55that a young man was behaving in a way
- 34:57that didn't make any sense.
- 35:00>> Hey, stop right now.
- 35:02Stop. Stop.
- 35:04Relax.
- 35:05>> He just jumped off the
- 35:06>> John, try to just jump on the banister
- 35:07there.
- 35:08Relax.
- 35:09What's going on? Why are you jumping
- 35:10like that?
- 35:12Are you hurt?
- 35:15>> In the body cam footage, the officers
- 35:17walk in to find him standing by the
- 35:19railing on the staircase. Without any
- 35:21warning, he climbs up onto it and drops,
- 35:25jumping down onto the floor below. And
- 35:27then a little while later, he does it
- 35:29again. His family tells the officers
- 35:31he's already done it several times in
- 35:33the last half hour.
- 35:35Earlier, he jumped off the deck outside,
- 35:37a drop of 7 or 8 ft, got back up, and
- 35:41did it again.
- 35:42He hurt his shoulder badly enough that
- 35:44they took him to the emergency room,
- 35:46where he was checked over and sent home.
- 35:48And even that didn't stop him. The
- 35:50strangest part isn't the jumping, it's
- 35:53how still he goes in between.
- 35:55>> Do you want to talk outside?
- 36:00What's going on?
- 36:01Are you hurt? You not talking to me is
- 36:03not going to solve anything.
- 36:05We have to figure out what's going on.
- 36:06That's not normal. Do you want to talk
- 36:08to me, or are you just going to stand
- 36:09there? Back up. Hey, relax. Relax. I'm
- 36:12not trying to fight you or anything,
- 36:13okay?
- 36:14Cuz that obviously wasn't normal what I
- 36:16just saw.
- 36:17>> Yeah, he he jumped three times in the
- 36:19space of last half an hour.
- 36:21>> Okay. Are you Are you injured at all?
- 36:24>> He hurt his left shoulder pretty
- 36:27>> Okay.
- 36:28>> He can't really
- 36:29and
- 36:30>> to the emergency. They checked him out.
- 36:32He's fine.
- 36:33But
- 36:34that didn't stop him from jumping again.
- 36:36He also jumped outside from the
- 36:38>> Can you just
- 36:40>> few times.
- 36:41The lake is like 7 8 ft down.
- 36:44The land is 7 8 ft down.
- 36:46>> Okay.
- 36:47>> He jumped that and then he started
- 36:49jumping here.
- 36:50>> Okay. Over here.
- 36:52>> The officers try to talk to him and he
- 36:54won't answer. He stares right into their
- 36:56eyes and says nothing.
- 36:58He isn't threatening anyone and he isn't
- 37:00asking for anything. He just stands
- 37:02there watching them and every so often
- 37:05his hands slowly close into fists on
- 37:07their own.
- 37:08One of the officers keeps his voice calm
- 37:11and steady telling him that whatever
- 37:13this is, it isn't worth it. That nobody
- 37:16thinks he's a criminal. That they only
- 37:18want to make sure he's okay. The young
- 37:20man barely responds. When he finally
- 37:22does move, it's toward the officer slow
- 37:25and silent in a way that puts everyone
- 37:28in the room on edge without a single
- 37:29word being said.
- 37:31>> Hey, nobody's in trouble or anything.
- 37:33The fact that you keep moving and
- 37:34shuffling towards me like you're about
- 37:36to like swing on me or something is
- 37:37disturbing to me.
- 37:39I see what you're doing. You're trying
- 37:41to get into some type of position to try
- 37:42and fight me or whatever you're trying
- 37:43to do.
- 37:44And we're not going to go down this
- 37:45route, okay? Or you're going to try and
- 37:48run. You're not going anywhere right
- 37:50now, okay?
- 37:51>> Hey.
- 37:52HEY.
- 38:01>> STOP RESISTING.
- 38:02>> STOP RESISTING.
- 38:02>> ALL RIGHT, YOU'RE UNDER ARREST. YOU ARE
- 38:03under arrest, buddy.
- 38:06>> Get in a head position.
- 38:09>> HANDS HANDS NOW.
- 38:10>> I GOT THIS HAND.
- 38:14ALL RIGHT, STOP FIGHTING. Just relax,
- 38:16okay?
- 38:16>> His parents are watching all of this
- 38:18happen in their own home and they can't
- 38:20explain it. The officers can't explain
- 38:23it either. He isn't drunk. He isn't
- 38:25making demands.
- 38:26>> [music]
- 38:27>> And he's thrown himself off things hard
- 38:28enough to hurt himself and gone right
- 38:31back for more. All while looking at
- 38:33people like he's staring straight
- 38:34through them. When he finally lunges, it
- 38:37takes several officers to hold him down
- 38:40and he's taken into custody. The report
- 38:42lists [music] the charges, but it
- 38:44doesn't and it can't explain what
- 38:46everyone in that house actually watched
- 38:48that night. A man standing silent in his
- 38:50own home, staring, throwing himself off
- 38:53things that should have hurt him, and
- 38:55getting back up every single time. Case
- 38:58seven.
- 38:59Say my name.
- 39:00On September 1st, 2022, a man walked
- 39:04into a Walmart, picked up something he
- 39:06had no way to pay for, and then simply
- 39:08refused to leave. The staff called the
- 39:11police, but by the time the officers
- 39:13arrived, the stolen item was the least
- 39:15strange thing about him.
- 39:21>> What's up, man?
- 39:23How you doing?
- 39:24Hey, check this out. Look at me real
- 39:25quick.
- 39:26>> Yeah, look at you.
- 39:26>> Hey, anything that you willing to buy
- 39:28that they don't want you to buy, so I
- 39:29need you to come to the front with me.
- 39:30I'm going to explain it to you when I
- 39:31get to the front, all right? Just come
- 39:33with me right now.
- 39:34>> Please follow 10-346.
- 39:38>> I'm 10-4. I was trying to tell 677 we
- 39:40were in the electronic section, but I
- 39:41think the
- 39:42gentleman is going to walk with me to
- 39:43the front of the store.
- 39:45All right, she will pay for them. No,
- 39:46they don't they don't want you to they
- 39:47won't let you buy them.
- 39:48>> Why is that?
- 39:50They don't want you to buy them? Well,
- 39:51I'll just scan them. Like I'm supposed
- 39:53to scan them by rights.
- 39:54>> I got them. Put them down.
- 39:55>> All right.
- 39:56>> You can't buy them.
- 39:56>> You all right.
- 39:57>> They're not going to let you buy
- 39:58>> I'm taking it.
- 39:59>> Listen. This is where
- 40:00>> All right.
- 40:01>> if you don't listen to me, you go to
- 40:03jail.
- 40:03>> Uh-huh.
- 40:04>> So, put them down.
- 40:05>> I'm taking it.
- 40:05>> Listen.
- 40:07>> Hey, don't touch me. Don't touch me. You
- 40:09don't have any right to
- 40:10Hey.
- 40:15>> The strange part was that he wouldn't
- 40:17tell anyone his name. They take him down
- 40:19to the floor and cuff him quickly. And
- 40:21from there, the whole thing turns into
- 40:23one long standoff over a single
- 40:25question. What's your name? He won't
- 40:28answer it. Instead, he keeps saying the
- 40:30same thing back to them over and over,
- 40:33telling the officer to say his name as
- 40:35if the officer already knows it and is
- 40:37just refusing to say it out loud.
- 40:40>> Stop.
- 40:41>> [snorts]
- 40:42>> You can roll over.
- 40:45I'm not trying to choke you.
- 40:46But if you're going to act like that,
- 40:48I'm going to do whatever I need to do.
- 40:49Stop.
- 40:51>> Stupid. Call your name. We're going to
- 40:52roll him over.
- 40:53>> Say your name.
- 40:55Say your Say your name. You want to go
- 40:56this way?
- 40:57Say your name.
- 40:59Say your name.
- 41:01Just tase him. Say your name.
- 41:04Say your name.
- 41:05>> Stapling.
- 41:05>> Say my name.
- 41:06>> Hey, hey, if you don't give up, you're
- 41:07going to be tased. You're going to get
- 41:09tased.
- 41:10Bro, why don't you tell
- 41:12>> Say my name.
- 41:15Say my name.
- 41:17Say my name.
- 41:19Say my name.
- 41:23>> Why did he just go back?
- 41:25You got
- 41:25>> Say my name.
- 41:26>> Probably 1015.
- 41:27>> I don't know.
- 41:28>> Let me hold traffic still, though.
- 41:31Stop it.
- 41:33I'm not familiar with him.
- 41:34>> Say my name.
- 41:36>> You got a good number on those.
- 41:40>> They ask him again. They explain pretty
- 41:43patiently that the jail won't release
- 41:45him if they don't know who he is,
- 41:48that he'll end up sitting in a cell
- 41:49until he tells them something.
- 41:52He doesn't care.
- 41:53When they finally push hard enough, the
- 41:55name he gives them isn't really a name
- 41:57at all. Marty. Mighty. Mighty Moe.
- 42:01There's no last name that stays the same
- 42:03twice. No date of birth, no address,
- 42:06nothing they can check against anything
- 42:08real.
- 42:09At one point, he says something the
- 42:11officer clearly doesn't know what to do
- 42:13with. He tells them there are a lot more
- 42:16of us than there are of you.
- 42:18Not more of me.
- 42:20More of us. The officer lets it slide
- 42:23and gets back to the paperwork. But on
- 42:25the recording, that one line lands like
- 42:27a crack in an otherwise ordinary arrest.
- 42:30A man with no name and no ID calmly
- 42:33claiming to speak for something bigger
- 42:35than just himself. The part that never
- 42:37adds up is how little of it fits
- 42:39together.
- 42:40He had no money, no card, no way to buy
- 42:43the thing he wouldn't put down, and no
- 42:45way to prove he was anybody.
- 42:48He wasn't violent the way people usually
- 42:49get when they're caught. He was locked
- 42:52onto one idea that his name was
- 42:54something the officers were supposed to
- 42:56already know.
- 42:57And that saying it was their job, not
- 42:59his. They put him in the car still
- 43:01asking, and he rides off still refusing.
- 43:04He goes to jail under a name that means
- 43:06nothing.
- 43:07A man who showed up out of nowhere,
- 43:10wanted nothing he could actually pay
- 43:11for, and wouldn't let a single officer
- 43:13find out who he really was.
- 43:16As far as any record shows, they never
- 43:18did. Case eight, the stop.
- 43:22On August 9th, 2024,
- 43:24what should have been a simple speeding
- 43:26stop turned into something the officers
- 43:28couldn't quite make sense of.
- 43:30They pulled a woman over on a road she
- 43:32didn't seem to want to explain being on.
- 43:35And almost right away, the whole thing
- 43:37stopped acting like a normal traffic
- 43:39stop. She tells the officer she doesn't
- 43:42have time for this and tries to leave.
- 43:44When they move to arrest her, she fights
- 43:46it. And from there, the recording turns
- 43:48into a long string of things she says
- 43:51that never quite connect to each other.
- 43:53One minute she's furious and in real
- 43:55pain, the next she's calm and almost
- 43:58friendly, talking about a place she used
- 44:00to belong to, about being proposed to
- 44:03twice,
- 44:04about a night she got filmed somewhere.
- 44:06She says her name is Elizabeth, then in
- 44:08the same breath calls herself Monica,
- 44:10then something else, then says she
- 44:12doesn't even know what the initial
- 44:14stands for, that he's Russian, and asks
- 44:17if he's there today to a group of people
- 44:19who have no idea who she's talking
- 44:21about.
- 44:22She keeps swinging back and forth
- 44:24between wanting to go home, wanting to
- 44:26go to the hospital,
- 44:28and wanting her mom and dad called.
- 44:30She asks the officers more than once
- 44:33whether they even have jobs.
- 44:35She talks to the people standing right
- 44:37in front of her, and she talks to people
- 44:39who aren't there at all.
- 44:41None of it lines up, and the officers
- 44:43spend the whole stop a step behind her
- 44:45answering a version of the conversation
- 44:47that keeps changing on them.
- 44:49There's nothing in the footage anyone
- 44:51can point to and call proof of anything.
- 44:53No shadow, no voice on a recorder, no
- 44:56object sliding across a table on its
- 44:58own.
- 44:59What actually gets under people's skin
- 45:01is quieter than that.
- 45:03It's watching someone hold several
- 45:04conversations at the same time when only
- 45:07one of them is with the officers right
- 45:08in front of her, and slowly getting the
- 45:11feeling that the rest are with someone
- 45:12the camera can't see. She was charged
- 45:15with obstruction, resisting arrest, and
- 45:18disorderly conduct.
- 45:20On paper, the case is clean and simple.
- 45:22The footage is anything but.
- 45:24Whatever she spent that night answering
- 45:26to,
- 45:27most of it clearly wasn't in the room.
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