300 carat massive uncut gem polished in reverse — Transcript
Full transcript
- 0:06join me for a very cool session on a very large
- 0:10opal I need to make some serious decisions here about which way I cut
- 0:19it after studying this piece with a very very thick color bar it has lots and lots of color
- 0:33in it and it seems to be clean right through to the other side there's only one problem
- 0:41there's some color in there but the best color is right on the line of potch so I'm
- 0:49going to take a risk and I'm going to grind all of that potch off to make a crystal opal
- 1:06the new 90 grit wheel on the cab King machine is eating up this potch very quickly uh because
- 1:13I have a lot to get through to get down to that color bar now this is going to
- 1:18be quite a risk if I do say so myself I don't know how this color is going to face but what
- 1:26I do know is I don't want that gray potch on the back of the stone I would prefer a
- 1:32crystal opal than a dark opal every day of the week and the other thing is the color
- 1:40that's the best sitting on the potch would be best sitting on the top of the opal and
- 1:45not below or underneath that blue-green if I grind it the other way around I will end
- 1:52up grinding that blue-green off first to get right down to that green color on the potch
- 1:58so I think I think this is the best decision but you'll have to stick around and see if it works
- 2:04out getting closer to that color bar and the potch is wearing thin I still don't need to change over
- 2:36to the final wheel as yet but I will be when I get close so I don't get any scratches in the
- 2:42color I really am hoping that that green color turns out much brighter than the purple color
- 2:52below if it does we're on a winner if it doesn't then well we're back to the the
- 2:59drawing board and what I am also hoping is that that poch is straight so that when I
- 3:06grind all that potch off it's easy to make one big stone that would be the ultimate
- 3:12goal but it doesn't always work out that way so once we get close we'll find that
- 3:18out
- 4:19I really should have seen some color come through by now and I'm wondering why it's
- 4:24not showing through every press I make on this wheel I'm getting closer and closer
- 4:31but it doesn't seem to be working out very well and I'm wondering if
- 4:35it's actually the potch concaving in I have a hunch that I might be
- 4:41right there's a bit of color on the edges showing up but as I push further and further
- 4:51it doesn't seem to go in very far you can see that color showing on the edge but as
- 4:56I work on the piece it's not cleaning up up in the middle and it should be cleaning up
- 5:01there first because the curvature of the wheel means that the center of the piece
- 5:06should be wearing out first so I think I've got a little bit of a problem here oh and now I've
- 5:13moved from the 90 grit wheel to the 2 180 grit wheel so I can work on it a little bit [Music]
- 5:24slower
- 5:29[Music]
- 5:29[Music]
- 5:55that part should have come out by now and what I'm thinking is that my last
- 6:00thought about the concaving potch is correct and I'm going to have to
- 6:05make some drastic measures here if I want to cut a clean stone or stones for that
- 6:12[Music]
- 6:20matter
- 6:29[Music]
- 6:29sh I really should be stopping right here but I'm just giving a little few more hits to see
- 7:06how much more comes out but what I'm wasting is that color on the edges as I try and get out
- 7:11the middle so I have to take some drastic measures to save this color and slice it
- 7:18up
- 7:41I really hope this works out because there's no
- 7:43turning back now once you've made the cut you've made the
- 7:48cut
- 8:14and my hunch was right you can see those little potch lines concaving into the green color so
- 8:21if I had gone and tried to take all of that out I would have lost most of the
- 8:25color
- 9:15is
- 9:45even with these small stones, I'm struggling to get the potch out so if I had left it one
- 9:51big Stone I would have had to dremel it and make a mess of the piece uh in order
- 9:57to see that nice color so I think it's best if we were to cut it up into smaller pieces
- 10:04I can make nice pleasing shapes and with these two I'm going to make a really nice
- 10:09pair
- 10:43they're nice and close in size now and I can work on the other
- 10:46pieces and I got the same problem again that concaving potch so it looks like every piece
- 11:06is going to be a lot smaller than I first thought which is actually fine it really doesn't matter
- 11:12too much about uh the weights or the sizes of the stones when it comes to this type of opal
- 11:19and the reason is I don't price this type of opal per carrot I usually price it per piece
- 11:26and that is because there's usually a lot of excess on the backs of the stones or there's
- 11:31color on the back that we don't really need being a crystal so I just price it as one stone
- 11:37value I was away last month at the Hong Kong trade show and a lot of people came up to me
- 11:55and said is black opal from Lightning Ridge and I said yes it is uh and they showed me
- 12:01some opal they bought and they thought it was black opal and I said just because opal comes
- 12:08from lightning Ridge doesn't make it black opal it's its body tone that makes its black opal so,
- 12:15for instance, these pieces here come from lightning Ridge they're definitely not black
- 12:20opal they are dark opal or what I'm trying to do is make them into Crystal Opals uh by
- 12:26taking the poch off the back and making them more transluc so that's a bit of a
- 12:31fallacy and an old way of for people to sell opal to say that if opal comes from Lightning
- 12:37Ridge it's it's black opal that's so not true making you aware of these things helps you and
- 12:45arms you a little bit better when you go to a seller and try and buy some opal and they
- 12:50tell you one thing hopefully you've learned something to say well actually I know better
- 12:58[Music] These are the preliminary shapes I'm quite
- 13:16happy with what's come out and now it's time to polish
- 13:19them cutting opal is a Pastime that takes many years of practice and still,
- 13:35after 35 years it still throws me curve balls and says you haven't figured me out
- 13:41yet have you and it seems to happen time and time again and that means I'm still learning
- 13:49which is what keeps me in the game keeps me on my toes and keeps me loving cutting
- 13:54opal and while while I was hoping for a larger piece I still would have considered chopping
- 14:02it into smaller stones the only difference is I would have had a really great surface
- 14:08to Mark out the gems where I wanted them but instead, I had to guess but it still worked out
- 14:14okay
- 14:28[Music]
- 14:43this triangle while it's nice I thought it might be better to trim it a little
- 14:47bit further and make it a beautiful Drop shape this still can be done on the dop
- 14:53stick you just have to make sure that the dop stick's small enough and the
- 14:57wax isn't protruding out too far so that you hit the wheel when you're grinding the stone
- 15:02[Music]
- 15:10in there were many ways to cut this piece and this was my way but I'd love to hear
- 15:25your thoughts about what you think you would have done leave a comment below
- 15:30and if you haven't subscribed I hope I've earned it this time
- 15:32[Music]
- 15:41round well this was a really fun cut I enjoyed taking away that thick layer
- 15:54of Potch to see the reveal I bet you're wondering what did it cost me and what
- 16:01did I make any profit the piece cost me $2,300 and now they've been cut we come
- 16:08to an overall price of around $3,500 for all of the gems together a nice earner for the
- 16:15day yeah I agree I hope you enjoy this one thanks for watching and we'll see you next
- 16:22[Music] time
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