1 Compas Flamenco Clock Overview — Transcript
Full transcript
- 0:04the flamco clock Rel de flamco has been
- 0:08in use for a long time to explain the
- 0:10compass of the different esos or BOS in
- 0:14the
- 0:15flamco if you take the trouble to learn
- 0:17this clock or if you try to transfer the
- 0:20compasses to the clock the seemingly
- 0:23difficult rhythms will suddenly become
- 0:25comprehensible and
- 0:28transparent this will also to help you
- 0:30to better understand Chas such as SOA
- 0:35alria buia searia Fango de wiva Etc all
- 0:41of which are played according to the 12
- 0:43beat
- 0:45pattern years ago I had the idea for a
- 0:48device translating these compasses into
- 0:51Visual and acoustic signals based on
- 0:55this idea the flamco metronome compa
- 0:57flamco was developed
- 1:01different ways of counting have been
- 1:03developed and used in the flamco genres
- 1:07with their difficult rhythms the most
- 1:10important thing is to decide on which
- 1:13speed of the clock you need to begin so
- 1:16when using the flamco clock you don't
- 1:19shift the accents within the 12 beat
- 1:22pattern but at the beginning to use the
- 1:24metronome properly you should learn the
- 1:27following ways of counting so
- 1:32Kaia as well as alria and related genres
- 1:36such as Cana miraa Romera and gages
- 1:41start on beat
- 1:55one theia Gua Peta and F the W start on
- 2:01beat
- 2:1412 the searia and related genes such as
- 2:18caval Liana ser and martinete start on
- 2:28beat8
- 5:28oh
- 7:58l
- 8:06the
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